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Word: courbets (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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...COURBET RECONSIDERED, Brooklyn Museum, New York City. Vast landscapes, lavish nudes and masterly portraits in an ambitious retrospective of paintings by the 19th century realist. Through...

Author: /time Magazine | Title: Critics' Choice: Dec. 26, 1988 | 12/26/1988 | See Source »

...COURBET RECONSIDERED, Brooklyn Museum, New York City. Vast landscapes, lavish nudes and masterly portraits in an ambitious retrospective of paintings by the 19th century realist. Through...

Author: /time Magazine | Title: Critics' Choice: Dec. 19, 1988 | 12/19/1988 | See Source »

...COURBET RECONSIDERED, Brooklyn Museum, New York City. Vast landscapes, lavish nudes and masterful portraits in an ambitious retrospective of paintings by the 19th century realist. Through...

Author: /time Magazine | Title: Critics' Choice: Dec. 5, 1988 | 12/5/1988 | See Source »

Whatever else may be wrong with the late American art industry, we are living in the golden age of the retrospective exhibition. One by one, the great artists of the 19th century have been done over the past decade: Cezanne, Manet, Courbet, Van Gogh, Gauguin -- and now Edgar Degas. We may deplore the crowds at these shows, the souvenir selling, the social circus and the TeleTron tickets at up to $7.75 apiece, an outrageous tax on knowledge. Earplugs -- preferably not attached to Acoustiguide gadgets -- and yogic detachment are needed. There are, as crusty old Degas said, some kinds of success...

Author: /time Magazine | Title: Art: Seeing Degas As Never Before | 10/17/1988 | See Source »

...narrative" of the galleries is split in half. On the left is the realist tradition of the 19th century, with its impulse to social description, radical criticism and meditation on things as they are -- Daumier, Millet, the Barbizon painters, Fantin-Latour, the rural sentimentalists like Jules Breton, culminating in Courbet at his mightiest (The Studio, The Funeral at Ornans and a portrait of a trout that has more death in it than Rubens could get in a whole Crucifixion). On the right are academic idealism and romanticism, Ingres and his heirs, Delacroix and his, smooth recipes of Grecian flesh...

Author: /time Magazine | Title: Art: Out of a Grand Ruin, a Great Museum | 12/8/1986 | See Source »

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