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...first circle of converts, a group of Philadelphia newspaper illustrators who made Henri's studio their rendezvous. There, between amateur theatricals, impromptu concerts and Welsh-rarebit feasts, Henri preached a two-fisted approach to painting, drove home his lessons with references to the exciting "modern" works of Courbet and Manet-plus such old masters as Frans Hals, Rembrandt, Goya and Velásquez. Soon his eager listeners, including such star pupils as William Glackens, Everett Shinn. George Luks and John Sloan, were spending their off hours carrying out Henri's advice: "Forget about art and paint pictures...

Author: /time Magazine | Title: Art: The Lusty Years | 5/16/1955 | See Source »

ANDRÉ MINAUX, 31, whose work represents one significant trend in French painting: the return to realism and 19th century masters like Courbet and Delacroix. The lessons of cubism and fauve color, thinks Minaux, have by now become the unconscious inheritance automatically guiding and correcting the artist's eye and intelligence, thus leaving painters free to turn to traditional subjects, such as Minaux's French peasants harvesting...

Author: /time Magazine | Title: Art: After the Sunburst | 3/21/1955 | See Source »

...Salon won more fame in later years with major retrospective shows of the works of Courbet and Gauguin (1906), Corot (1909), Pissarro (1911). Rodin (1919) and Renoir (1920). After the liberation of Paris, the Salon reopened in 1945 with a gigantic Picasso retrospective...

Author: /time Magazine | Title: Art: Birthday in Autumn | 11/30/1953 | See Source »

...Courbet did see the world with a childlike directness and delight. He painted it, according to one contemporary, "as simply as an apple tree bears apples." He didn't much like being called a realist-it was a term of opprobrium in some circles in those days, too-but he used to pound on the table and insist that painting was a physical language having nothing to do with history, romance or religion. "Show me an angel," he shouted, "and I will paint...

Author: /time Magazine | Title: Art: The Big Fellow | 12/20/1948 | See Source »

...Courbet's best admirers were realists like himself (men like Novelist Zola), men who also swam against the popular current. To 20th Century eyes, Courbet looks like a rock-solid conservative. Actually, his realistic art not only ran counter to the great traditions of his day, it profoundly influenced Manet, Renoir and Cezanne, the founding fathers of modern...

Author: /time Magazine | Title: Art: The Big Fellow | 12/20/1948 | See Source »

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