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...British exhibit is unsatisfactory. The modern French collection (Puvis de Chavannes, Corot, Manet, Monet) is also sparse. But six Metropolitan galleries will be opened on March 11 containing the famed Havemeyer collection (TIME, Feb. 4, 1929) which will greatly swell the museum's resources with fine specimens of Courbet, Corot, Manet, Monet, Renoir. Degas, El Greco, Millet, Puvis de Chavannes, Poussin, Ingres, Cezanne, Veronese, Filippo Lippi, Rembrandt, De Hoogh, Hals, Rubens, Goya. All in all. those who can content themselves with great artistry before Cezanne will find the Metropolitan a fascinating repository of paintings, not as great...

Author: /time Magazine | Title: Art: Sterile Modernism | 3/10/1930 | See Source »

Drawings by Corot, Degas, Delacroix, ingres, Courbet, Bellows, Speicher, Diego Rivera, Simka Simkohvitch, and others, which were recently placed in the Fogg Art Museum, are now on exhibition...

Author: NO WRITER ATTRIBUTED | Title: On Exhibition at the Fogg | 1/7/1929 | See Source »

...Modern artists praised: A. L. Barye, Brancusi, Cezanne, Courbet, Degas, Delacroix, Derain, Eakins, Frueh, Gauguin, Van Gogh, Winslow Homer, Manet, Monet, Picasso, Pissarro, Poiret, de Chavannes, Renoir...

Author: /time Magazine | Title: Art: Metropolitan Duped, Flayed | 12/17/1928 | See Source »

...exhibition of drawings by Bellows, Corot, Courbet, Degas, Delacroix, Diego, Ingres, Rivera, Simka, Simkohvitch, Speicher, and others, which were recently placed in the Fogg Art Museum, is now being shown...

Author: NO WRITER ATTRIBUTED | Title: Art Exhibit at New Fogg | 11/22/1928 | See Source »

...historical phase of the matter, with Cezanne's relation to the movement of Impressionism, nor with the more complicated experiments of his technique in the fundamentals of form and light. One can easily find in those works in display much that is Classical, much that shows the influence of Courbet, Tintoretto, Rubens, and Delacroix. But what is most important is the realization of the subjective character of the exhibition and the willingness to 'look again' in an endeavor to penetrate the wall of unphotographic reality which will probably, with the majority of observers, obstruct their view...

Author: NO WRITER ATTRIBUTED | Title: FOGG REPRODUCTIONS PRAISED BY REVIEWER | 4/9/1927 | See Source »

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