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Gourmet dining is the newest trend in Europe's luxury department stores, and the menus are as cutting-edge as the fashions around them. Though designers like Armani, Courrèges, Ventillo, Lanvin, Barbara Bui and Nicole Farhi realized years ago that the chicest store accessory is a stylish café bearing your label, major retailers are just now choosing to create and run their own restaurants rather than depending on outside concessionaires. "It is a completely new era for restaurants and retail," says Jean Paul Barat, general manager of food operations at Selfridges. "Food is now a driving force...

Author: /time Magazine | Title: Food Fight | 8/12/2002 | See Source »

Gourmet dining is the newest trend in Europe's luxury department stores, and the menus are as cutting-edge as the fashions around them. Though designers like Armani, Courrèges, Ventillo, Lanvin, Barbara Bui and Nicole Farhi realized years ago that the chicest store accessory is a stylish café bearing your label, major retailers are just now choosing to create and run their own restaurants rather than depending on outside concessionaires. "It is a completely new era for restaurants and retail," says Jean Paul Barat, general manager of food operations at Selfridges. "Food is now a driving force...

Author: /time Magazine | Title: Food Fight | 4/1/2002 | See Source »

...reappearing, usually in witty design quotations. So do plaids; in 1979, Saint Laurent's heart went deep into the Scottish Highlands, and he made a formidable, fanciful rig. Except for his Mondrian motif, Saint Laurent was not comfortable with minis; the late '60s belonged to André Courrèges. In fact, despite the influence of specific designs, Saint Laurent has not always led a crowd. He raised skirts in 1959, five years too soon. He lowered them in 1964, when the mini had several years to go. For that matter, he raised hemlines again only two years...

Author: /time Magazine | Title: Living: Toasting Saint Laurent | 12/12/1983 | See Source »

...Quant creations consisted of less material than a Victorian hanky and-at eleven inches above the knee-barely covered the area once reserved for underwear. On the way up from the pert Chelsea shopgirl look, the ultrashort skirt was given the imprimatur of couture by Parisian Designer André Courrèges in the middle '60s. The mini's bon voyage across the Atlantic was largely the work of Enfant Terrible Rudi Gernreich, who was not only the first U.S. designer to bare the thigh, but also earned dubious fame with his topless swimsuit...

Author: /time Magazine | Title: Living: Return of the Mini | 3/22/1982 | See Source »

...often been said) that great tourist attraction of Southern Italy, the plaster molds of dead Pompeians. Now and again, Segal made an identifiable portrait; the show includes the effigies of those New York Pompeians of the '60s, the collectors Robert and Ethel Scull, she complete with sunglasses and Courrèges boots. But as a rule, Segal's figures are not identifiable. They are generalized, spectral presences, muffled in the folds of calcified gauze, their skin roughened with residual abstract-expressionist drips and clots. It hardly matters that the stooped Gerontion in Segal's Hot Dog Stand...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

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