Word: courtesanly
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Dates: during 1970-1979
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...rest of the cast is just about as proficient. Mark Szpak as Hero, Pseudolus's master who falls in love with a woman from the House of Lycus who is to be sold as a courtesan, plays the part well as a Roman Holden Caulfield, rolling and tumbling all over himself in first love. Yet there's another side to him too, cajoling Pseudolus into risking his relatively safe position--for freedom to be sure--but also for Hero. The song "Free" is a real high-point, spotlighting the two best male singers n the cast. Pseudolus has convinced himself...
...rode, 1940, is not the Egypt seen by Flaubert, detachedly noting the gleam of his white socks at midnight on the Nile. Cornell had never been, or wished to go, to that Egypt. But in his mind the image of Cléo de Mérode, a courtesan who so enraptured Paris society in the '90s that even Proust is said to have murmured "Gloria in excelsis Cléo!" when she walked into Maxim's, fused with those of Cleopatra and the Sphinx. So what could be more natural than to make her a votive cosmetic...
Once again, Gore Vidal proves that in a market crowded with literary hook ers, he is a true courtesan. He respects the values of entertainment and can de liver a novel for practically any taste...
Steamy Tale. Another tumid exercise in staged libidinousness is Sebastian, by the company's resident choreographer, Vincente Nebrada. This is a steamy little tale of a Moorish slave in 17th century Venice who loves a courtesan who loves his owner-prince, and who is eventually skewered to death by the prince's evil sisters in the Venetian equivalent to a voodoo ceremony. As the luckless, lovelorn slave, an expressive young dancer named Christopher Aponte is called upon to perform a sensuous duet with the courtesan's red cloak, leaving the unfortunate impression that he is secretly...
...Hoffmann has a recomposed score by John Lanchbery that draws also on other colorful Offenbach works. But its choreographic steps and gestures are trite, even humdrum at points, and devoid of the kind of grand line that grand ballet at its best demands. (Ah, those outstretched arms signaling the courtesan's entrance-as in a silent film starring Theda Bara...