Word: courtesanly
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...found himself filling the archetypal role of the understudy who becomes a star. The head makeup artist on the film My Geisha wasn't available and Uemura had to step in and do Shirley MacLaine's face for the movie, transforming her Caucasian features into those of a Japanese courtesan. He soon became a favorite makeup artist among Hollywood stars, including such male celebrities as Frank Sinatra and Edward G. Robinson...
...furious electronic symphony, and then transforms yet again into a guitar-driven tempest. Here is “Lover”’s finest moment. The album does, however, have its shortcomings. After about ninety seconds of bizarre vocal interjections and erratic drumming, “The Courtesan Has Sung” decides to go somewhere; unfortunately, that somewhere is a Specter-esque thoroughfare, complete with walls of anonymous female vocals, keyboard sounds, and synthesizers. It’s the biggest of the question marks that punctuate the album. Thankfully, Krug finds his way back into more familiar...
...married woman in 60s Hong Kong; that character reappeared, with four other alluring females, in 2046. Wong knows that movies are supposed to run between an hour and a half and two hours, but that's not natural for him. The Hand, a lovely fable about an aging courtesan (Gong Li), seemed just right at 40 mins...
...which sat a very agitated granny. She was one of the last holdouts refusing to leave her house, which was scheduled to be torn down to make way for Xintiandi, Shanghai's sprawling outdoor shopping-and-restaurant development. As she was borne out, like some parody of an imperial courtesan in a eunuch-shouldered sedan chair, the Mao-suited woman kept screaming a phrase in Shanghainese. I asked a friend what it meant. "Remember history," she told...
...Wong Kar-wai's 2046, she plays a hardened gambler whose ego and heart get bruised one Christmas Eve. In Wong's contribution to the three-part film Eros, she is a notorious courtesan who loses her looks and luck over the course of two decades. In Memoirs of a Geisha, her first Hollywood film, she is Hatsumomo, tormentor of the heroine (Ziyi Zhang) and one of the greatest bitch goddesses since Bette Davis in her prime...