Word: courtrooms
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Dates: during 2000-2009
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...planned, attorneys closed the blinds on the courtroom's large windows. Lights in the courtroom were dimmed. "All right, you ready?" Gaughan asked...
...ones in Denmark. (They consider any depiction of Mohammed to be blasphemy.) So three Islamic groups brought suit against Charlie Hebdo. Leconte's film follows the trial through recollections of witnesses and the legal teams as well as documenting the religious and political debates in the halls outside the courtroom. He focuses on the chronological suspense of the trial, and has the benefit of defense attorneys whose brilliance is as sharp as the magazine's. When the plaintiffs' lawyer argues that Islam is caricatured more unfairly than other religions, one attorney itemizes a long list of affronts toward Catholicism, including...
...Fast-forward six years, to the courtroom of Vincent M. Gaughan, a Cook County circuit court judge known for his prickly demeanor. Gaughan barred attorneys and nearly all court personnel from discussing even basic details about the case. He regularly closed pre-trial hearings and refused to release the transcripts. Gaughan's essential goal, according to one of his orders: "To preserve the dignity of the court and the integrity of the proceedings." That's an especially powerful, ironic argument, given widespread concern that Kelly is receiving preferential treatment because of his celebrity status. Ronald Allen, a Northwestern University professor...
...enforcement officials are bracing for a media barrage. Reporters have been forced to apply for special credentials to gain access to the courthouse. Others must register for a "daily media lottery" for one of a handful of courtroom seats. It's unclear if the man at the center of the case will testify. These aren't all of Kelly's worries: He's embroiled in a divorce from his wife, Andrea, one of his former dancers and the mother of his three children. Mayer, Kelly's spokesman, says the singer has been holed up in his suburban Chicago home, recording...
...companionship on the one hand, revenge and destruction on the other—into the vast network of scenes and characters that comprise his vision of 19th-century London. The show’s skeletal set, designed by Grace C. Laubacher ’09, changes from a courtroom to a city street with ease. Its many wooden posts also have the irritating habit, however, of obscuring faces at key moments. The show’s truly excellent chorus helps to keep Sondheim’s increasingly weighty narrative snowballing along, in spite of a few lengthy scene changes which...