Word: courtyard
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Fogg Museum courtyard will become a stage tonight when a recently-organized group of students present T. S. Eliot's "Murder in the Cathedral." The play is not being put on by the Harvard Dramatic Club although many of its cast are members of the H. D. C. The work has had no previous organization with which to deal and has reached actual production only through the initiative of its directors and the help of influential faculty support. Already interest in undergraduate circles has been evinced by large tryouts, by submission of several manuscripts of poetry dramas, written by students...
...first effort to establish the position of poetry on the contemporary stage, the newly formed Poets Theatre, headed by William B. Bersscubrugge '37, will produce "Murder in the Cathedral" March 19 and 20 in the courtyard of the Fogg Art Museum...
...dearly among the Classics. In an international war, such as that of 1914-18. the opposing commanders do not order their airmen to bomb the enemy G. H. Q., and thus are not bombed themselves. This week the Whites were so unorthodox as to hurl bombs into the very courtyard of the G. H. Q. in Madrid and astonished General Miaja barely escaped, his life intact but his illusions shattered. After G. H. Q. had been bombed obviously there was no safety in Madrid. The U. S. State Department radiophoned orders to Charge d'Affaires Eric Wendelin to close...
When Caulaincourt arrived at Essonnes, he found Ragusa acting queerly. An emissary from the Allied field headquarters nearby had arrived at the same moment. Puzzled Caulaincourt ran down to the courtyard to see about getting through the Allied lines, found when he returned that Ragusa was involved in mysterious negotiations with the enemy. But Ragusa was one of Napoleon's most trusted officers. "No one," the Emperor said, "inspires me with more confidence." Worried, Caulaincourt hustled Ragusa into a carriage and carried him on to Paris. The emissaries stopped at Allied field headquarters on the way. There Ragusa raced...
There is one moment of real magic when Larry is singing So Do I, best of the John Burke-Arthur Johnston ballads, in a dim courtyard, strumming his lute, while Patsy revolves around him in a grotesquely graceful, childish dance. Screenwriter Jo Swerling, however, quickly dropped development of the Pennies from Heaven idea. He set his characters to making a haunted house into a night club, then switched to a carnival background, then to an orphan asylum. The thread on which the latter episodes are strung consists of Susan Sprague's (Madge Evans) efforts to put Patsy...