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...Knew Too Much (Paramount), a remake by Alfred Hitchcock of his 1935 thriller, is almost buried beneath the weight of Technicolor, Vista-Vision and an endless Storm Cloud Cantata performed by the London Symphony Orchestra and the Covent Garden Chorus. Indulging his taste for contrast, Hitchcock takes an American family-so glossily normal that it might have popped out of a refrigerator advertisement-and sets it down in the eternal grime of Marrakech, Morocco. The family: Jimmy Stewart, a surgeon from Indianapolis; Doris Day, his songbird wife; Christopher Olsen, their typically cute son who thinks North Africa looks just like...

Author: /time Magazine | Title: Cinema: The New Pictures, may 21, 1956 | 5/21/1956 | See Source »

...Paris, where Mozart once sought a paying position in vain, government officials and academicians came to honor him at the Sorbonne. In London, a city to which Mozart considered fleeing from his continental misfortunes, the Royal Festival Hall and Covent Garden opera house were booked solid with Mozart music all week. Prague, the only city that applauded Don Giovanni while Mozart was alive, had a Mozart Week. Moscow presented Figaro at the Bolshoi Theater. Even Japan is broadcasting homage on its five radio stations and their networks, while Tokyo department stores display pictures of the composer in Ginza windows...

Author: /time Magazine | Title: Music: The World & Mozart | 2/6/1956 | See Source »

...fell purpose: to make a world-famous diva of her. Morgan searches madly for his lost love until, kicked by a horse, he retires to England and an armchair. Hildegarde, having conquered all Europe with her magic voice (dubbed in by Elisabeth Schwarzkopf), now appears at London's Covent Garden. Morgan rushes to the concert, pits his plain brain and pure heart against the hypnotic evil of Svengali. Love, eventually, conquers all, and Svengali dies, apparently of mortification...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 12, 1955 | 9/12/1955 | See Source »

When Jacy and Olive are not making beautiful bedchamber music together. Jacy is a gaga, gee-whiz tourist-about-London: "So this was the London bobby!" . . . " 'I am present.' said Jacy happily, 'at the reopening of the Covent Garden Opera House in nineteen forty-six . . .' " Somewhere along the line, Jacy discovers that the secret of English greatness is "continuity." To do his bit for continuity, Jacy agrees to help the Floristers reopen the historic old family theater with a hands-across-the-sea play about Pocahontas and John Smith...

Author: /time Magazine | Title: Books: Old-Fashioned Abandon | 6/27/1955 | See Source »

After five years' toil, Britain's famed Sir William Walton, 52, last week unveiled his first opera, Troihis and Cressida, at London's Covent Garden. The melodramatic plot (of amorous scheming and betrayal in ancient Troy) was lusty, but the heavily sweet music resembled Walton's lyrical Viola Concerto more than his uproarious Belshazzar's Feast. The London Times called it "a great tragic opera," and the Daily Express hailed "the proudest hour for British music since the premiere of Benjamin Britten's Peter Grimes." Sir William made his own evaluation...

Author: /time Magazine | Title: Music: Proudest Hour? | 12/13/1954 | See Source »

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