Word: covention
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...conduct concerts and "concertized opera" this summer; and England, where he is a member of the Royal College of Musicians, all sat up last week to take notice of Composer Eugene Goossens' new opera, Judith. England sat up the most sharply because the premiere was at Covent Garden and because it was the first all-British opera in a long time. Novelist Enoch Arnold Bennett wrote the libretto and beamed from a box, while Composer Goossens bowed from the stage, during the ovation. The cast, furthermore, was all-British except for the title part, sung and danced by Gota...
...flowing white robes of a Druid priestess, Rosa Ponselle, soprano of the Metropolitan Opera, waited in a dressing room of London Covent Garden last week. She tapped her foot, tried her voice, added a touch of carmine to her cheeks, adjusted the green wreath on her flowing black hair. Tomorrow her British debut would be over. Tonight she must face the coldest public in the world, a public which had not heard Norma since the late great Lilli Lehmann sang it in London 30 years before, Lehmann who had said: "I would rather sing all three Brünnhildes than...
...door creaked open and there was the friendly face of Dame Nellie Melba. Taking Ponselle's cold hands between her warm ones, the grand old prima donna delivered a warning: "Now, my dear Rosa, don't expect Covent Garden to be like your Metropolitan. Above all, don't expect applause for your great aria, 'Casta Diva.' A London audience wouldn't clap the Angel Gabriel himself until the curtain was down and the proper time for applause had arrived...
...great house listened. The top galleries bulged with humble music-lovers. In the boxes were the Italian Ambassador, Mme. Melba, Prince & Princess Bismarck, Margot, Countess of Oxford & Asquith, Lady Cunard, Lords Leesdale, Colebrooke and Monteagle, and onetime King Manuel of Portugal and his consort. . . . From top to bottom Covent Garden yielded itself to the spell of a glorious voice, forgot all traditions, burst into riotous applause. The third act brought another demonstration...
Other new voices will be: Elisabeth Ohms, Dutch dramatic soprano, with a reputation won at the Munich and Covent Garden Operas; Antoine Trantoul, French tenor of the Paris Opera and Opera Comique; Alfredo Gandolfi, baritone, favorite interpreter in his native Italy of such roles as Don Giovanni; Tancredo Pasero, basso, of European and South American fame. Josef Rosenstock, conductor, will be imported from Wiesbaden to replace Artur Bodanzky; Ernst Lert, stage director of La Scala at Milan, to replace Samuel Thewman...