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Word: coventionalism (lookup in dictionary) (lookup stats)
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...lost the dynamism for which it once was famous. I begged to differ, and implored the Prince to consider the new, entrepreneurial, street-cred economy being created at that very moment in the clubs and streets, the fashion houses and TV studios and advertising agencies of Soho and Covent Garden. I remember to this day the look of utter incomprehension on the Prince's face as I made my case. Only later did a colleague point out the obvious; that with the exception of visits to the Royal Opera House, it was highly unlikely that the Prince had ever visited...

Author: /time Magazine | Title: Why the Royals Miss Diana | 11/17/2002 | See Source »

Some of the most challenging work on the London stage these days is to be found not in the West End but behind the doors of two tiny fringe theaters. One is the Donmar Warehouse in Covent Garden, headed by Sam Mendes, whose film debut American Beauty won him last year's Best Director Oscar. The other is the Almeida Theatre in Islington, steered by director Jonathan Kent and actor Ian McDiarmid - familiar to movie fans as the Emperor Palpatine in the Star Wars series. These two hotspots have assumed a place-to-be-seen buzz among theater-goers...

Author: /time Magazine | Title: No Good at Being Bad | 4/2/2001 | See Source »

...Back in London, he took on the role of a dresser at the Royal Opera House in Covent Garden, spending his days, as he tells it, "making sure the right costume got on the right person at the right time." He evidently succeeded, since Covent Garden history contains no instances of Madame Butterfly appearing onstage as the Barber of Seville on Paul's watch. Tiring of his operatic existence and still itching for a career in pictures (still ones), he joined a photo agency that supplied images to various clients, among them Time...

Author: /time Magazine | Title: To Our Readers | 3/19/2001 | See Source »

...Dark-eyed, strong-featured and forceful to a fault, she confesses to being "a born control freak." An apprenticeship with the innovative opera director Jean-Pierre Ponnelle led to her 1986 European debut at Venice's Teatro la Fenice, and her work is now seen regularly at London's Covent Garden and Paris' Bastille Opera, as well as in such American cities as Houston, where her joltingly fresh takes on Puccini's Madama Butterfly and Britten's Billy Budd opened back to back in January...

Author: /time Magazine | Title: Francesca Zambello: Rattling the Cage | 8/3/1998 | See Source »

...Lyric Stage makes the most of its intimate space, employing a simple all-purpose set design and a few well-chosen props. A particularly inspired touch is the inscription on the backdrop of the three major settings of the play-Covent Garden (where Higgins and Eliza first meet), Wimpole Street (Higgins' house), and Earlscourt (Mrs. Higgins' residence)-in phonetic spellings, lighted to show the location of the scene at hand. Less well-conceived are the two step-dancers who serve to bridge the scene changes; they end up looking rather silly and out of place amid the shifting props...

Author: By Lynn Y.lee, CRIMSON STAFF WRITER | Title: Shaw's 'Pygmalion': Sparkle and Shade | 10/3/1997 | See Source »

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