Word: coverable
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...Your cover story on abortion was a good attempt to walk the middle line between two sides of what can be deemed an irreconcilable issue. It is encouraging to see the two sides of the abortion debate willing to sit down and talk inoffensively about their serious differences. But there was no mention of the disproportionate number of minority fetuses being aborted. The Centers for Disease Control and Prevention reports that three times as many black fetuses as white ones are aborted. This alarming ratio continues to grow even as the total number of abortions declines. What accounts...
Thank you for your excellent article about crisis pregnancy centers. But since when has informed choice become a "guerrilla" tactic? Abortion providers fear that a mother informed of her child's development will change her mind and decide not to abort. I hope your cover picture is sufficiently intriguing to pregnant women that they will investigate, as much as possible, that precious life inside them. Ultrasound is not a "stealth tactic." It is a window into the womb that reveals undeniable life...
...after the discovery of embezzlement, a bishop decreed biennial audits for every parish. That hardly inspires confidence. Anything short of an annual audit shouldn't be sanctioned. No publicly held company would be allowed that practice. Why should parishioners' gifts be treated any differently? Sounds like the same ol' cover...
...approach the podium and discuss a wide array of topics, all the way to the songs she had selected for her presentation. Heilmann—standing beneath projections of paintings inspired by California’s beaches, “The Simpsons,” and an album cover by The Drifters—did her part to demystify the world of postmodern art for those who asked. Speaking about her personal experiences during the psychedelic 1970’s as well as her evolution from minimalism to a postmodern version of abstract expressionism, Heilmann emphasized her connection to both...
...lacks any real action. The origami designs that keep coming at you constantly are neat for the first 20 seconds, but they get old. The video also has no plot, nothing to do with the enticing lyrics, and no satisfying shots of the band. Origami should be used for cover art, and a relatively off-the-radar band like Asobi Seksu should draw in prospective fans with riskier, more interesting visual effects. Let’s hope their next video riffs a little more on the idea of playful sex. —Andrew F. Nunnelly