Word: coverers
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Dates: during 1960-1969
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...cover story was written by William Doerner, edited by Marshall Loeb and researched by Claire Barnett, all of whom have firm ideas about what Nader should level his sights on next. For Doerner, who stands 6 ft. 5½ in., the big issue is "the enormous conspiracy against tall people. I can't ride in the back seat of any car, I can't find clothes to fit, and shaving mirrors always seem to be fixed at the level of my belt. It's a plot to keep us unclad and bedraggled." For the life...
...antiwar-research demonstrators "neo-Nazis" and "syndicalist swine." Still, the new opposition press is getting results. Says Crimson President James Fallows: "It's unhealthy for an institution to exist as long as we have without competition. Undoubtedly, it's made us check harder into what we cover...
...lawyer temporarily blocked their unemployment compensation with a legal technicality, they refused Ring's first (and not notably generous) pay offer. As, little by little, he went up, they began holding out not merely for a better contract, but also for back pay to cover the rapidly mounting number of lost weeks. If it took several months to bring the Met to an acceptable contract offer, it also took all that time and more for the artists to resign themselves to a chilling fact: they would either forgo the back pay or see the Metropolitan destroyed through a deadly...
...bolsheviks. The junior ambassador tries to make clumsiness funny, bumping into chairs and stammering in search of laughs. The cause of his trouble, he claims, was having a famous ambassador for a father. Whenever Junior misbehaved, Mom hit him with an issue of TIME with Dad on the cover. Viewers are free to make similar use of this copy on the makers of the movie...
...right girl but is so gun-shy that she marries someone else; then he pursues her until she gets a divorce after he is sued for alienation of affections in a headline scandal. He marries her, has two kids, continues as a Broadway star, gets on TIME'S cover but can't make it really big in radio, TV or movies (except for Oz). He wins a huge artistic success in Waiting for Godot as his stage career dims, and finally -oh, irony-makes the biggest money of his life ($75,000 a year) pushing...