Word: cow
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...naturally to the Poles, along with an alarming capacity for martyrdom. The 19th century playwright Stanislaw Wyspianski called long-suffering Poland "the Christ of nations" because of its capacity for anguish. Joseph Stalin is said to have remarked that bringing Communism to Poland was "like trying to saddle a cow." He did it anyway, but a nation of rebellious, romantic anti-Russian Catholics proved to be troublesome from the beginning. Most Poles never
...They had singin' and jokin' and jes' enough carryin' on to keep the folks comm in and the vice squad out. They had bad ole Marvin Zindler high-steppin' through his favorite den of iniquity like a virgin bride navigatin' a field of cow chips. They had Sheriff T.J.-they called him Ed Earl-and Miss Edna-they ailed her Mona-lookin' longingly at each other from th' opposite sides of middle age. Best of all, they had a county fair's worth of good dancin'. Cheerleaders shook their pompoms...
...gonna harness these here fifty acres; his wife stands awkwardly on the porch and pulls at her shawl (for the entire play, in fact); and his well-rouged son chimes in about cutting the brush over yonder. Then a badly made-up "old" lady trudges in ringing a cow-bell. "It looks like she's holding a star in her hand," offers the son. So much for imagery. She stomps around the stage, cackling at her own feistiness, and the family plunks itself down to listen to her story, which is perfunctorily acted out but mostly consists of lines like...
...thin one at that, one needs to remember that the '40s and early '50s saw the emergence of the last major artists that the School of Paris would produce. The show has a fine selection of Jean Dubuffet's work from that time, the scrawl-and-cow-flop portraits, subway figures and fat nudes that elicited reams of indignant protest from the guardians of le beau et le bien. Quite properly, Alberto Giacometti's wiry bronze isolates are given a room to themselves, and it is the most august room in the show. Yet there...
...star Conchata Ferrell, a virtuoso at New York City's Circle Repertory Theatre, is a near- newcomer to cinema. Earthy and sensible, heavy sleeves rolled up to heavy elbows, her Elinore can plow a field and scrub the laundry and milk a cow; she knows how to ride and she plans to learn how to rope. She is a frontier woman, pure and simple; she understands the various businesses of life and how to get on with them...