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...Wednesday, he apologized and offered the local school $8,000 out of the movie's $1 billion-plus profits. Not enough, say Dalbeattieans, who are demanding that Fox clear officer Murdoch's name in the "Titanic" video credits. "Filmgoers all over the world will see him portrayed as a coward," complained school head Linda Kirkwood. Not to mention how bad Fox looks for dishing out what will undoubtedly be seen as a paltry bribe. Will we ever learn from the movies...

Author: /time Magazine | Title: A Titanic Battle: Murdoch vs. Murdoch | 4/15/1998 | See Source »

...works so hard, and he cites Noel Coward: "Work is more fun than fun." Or, as con artiste Joe Mantegna says in House of Games, "What's more fun than human nature?" Like all those purring predators in The Spanish Prisoner, David Mamet devotes much of his working life to nothing more or less complicated than playing artful games...

Author: /time Magazine | Title: Cinema: The Gamut Of Mamet | 4/6/1998 | See Source »

...Sinclair, the composer Dame Ethel Smythe, and the Paris-based painter Romaine Brooks. Her literary acquaintances were similarly eminent (and, in many cases, similarly "deviant"): Hall's partner Una Troubridge first translated the sexually daring French author Colette's works into English; Hall and the English playwright Noel Coward wrote each other into their works; and no lesser lights than the writers of the Bloomsbury Group--including Virginia Woolf and E.M. Forster--entered the story when they came to the defense of The Well of Loneliness...

Author: NO WRITER ATTRIBUTED | Title: Radclyffe Hall: More than a Martyr | 3/13/1998 | See Source »

...myself never called my father a "coward." He often sighs: "To live in peace, cowardice is sometimes necessary." But right or wrong, he is my father, and I never came to calling him names...

Author: /time Magazine | Title: Sounding Off, Talking Back | 3/9/1998 | See Source »

...impressive and improbable run for a show he has famously said is about nothing, which, of course, is charmingly disingenuous. Because if Seinfeld--arguably television's first genuine comedy of manners since Leave It to Beaver--is about nothing, then so are the works of Jane Austen and Noel Coward. If Seinfeld seems trivial, it is only because manners have so devolved over the course of our century. Like the rest of us, the show's overly analytic foursome must pick their way through an increasingly chaotic social battlefield, forced to write their own etiquette for even the most insignificant...

Author: /time Magazine | Title: Television: It's All About Timing | 1/12/1998 | See Source »

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