Word: cowardly
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Dates: during 1900-1909
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...Cummings (D), P. H. Pierson (E); Sec. 6--A. W. Cheever (A), R. H. Britten (B), S. P. Holland (B), F. B. McLeary (C), R. K. Nash (C), E. O. Salsbury (D), C. H. Marsh (E); Sec. 7--E. P. Felker (A), P. E. Shannan (B), S. D. Coward (B), R. F. Busher (C), R. S. Tobey (C), J. A. Daly (D), V. Schaeffer (E); Sec. 8--L. B. Killian (A), M. Corcoran (B), A. P. Happel (B), D. H. Graham (C), S. S. McCulloch (C), J. A. Davis (D), F. F. Lincoln (E); Sec. 9--J. F. Stambaugh...
...Caro (C), A. Doggett (C), J. A. Cummings (D); Sec. 6--A. W. Cheever (A), R. H. Britten (B), S. P. Holland (B), F. B. McLeary (C), R. K. Nash (C), E. O. Salsbury (D); Sec. 7--E. P. Felker (A), P. E. Shannon (B), S. D. Coward (B), R. F. Busher (C), R. S. Tobey (C), J. A. Daly (D); Sec. 8--L. B. Killian (A), M. Corcoran (B), A. P. Happel (B), D. H. Graham (C), S. S. McCulloch (C), J. A. Davis (D); Sec. 9--J. F. Stambaugh (A), R. M. Goy (B), H. R. Sanford...
...Priest (B), H. Caro (C), A. Dagget (C), J. A. Cummings (D); Sec. 6--A. W. Cheever (A), R. H. Britten (B), S. P. Holland (B), E. Mureau (C), R. K. Nash (C), E. O. Salsbury (D); Sec. 7--E. P. Felker (A), P. E. Shannon (B), S. D. Coward (B), R. F. Busher (C), R. S. Tobey (C), J. A. Daly (D); Sec. 8--L. B. Killian (A), M. Corcoran (B), A. P. Happel (B), D. H. Graham (C), S. S. McCulloch (C), J. A. Davis (D); Sec. 9--J. F. Stambaugn...
...Dewey (A), E. N. Robinson (B), D. B. Priest (B), H. Caro (C), A. Daggett (C); Sect. 6, A. W. Cheever (A), R. H. Britten (B), S. P. Holland (B), E. Murean (C), E. V. Salsbury (C); Sect. 7, E. P. Felker (A), R. E. Shamron (B), S. D. Coward (B), R. F. Busher (C), R. S. Tobey (C); Sect. 8, L. B. Killian (A), M. Corcoran (B), A. P. Happel (B), D. H. Graham (C), S. S. McCullock (C); Sect. 9, J. T. Starnbaugh (A), R. M. Goy (B), H. R. Sanford (B), R. L. Forbush...
...verse suggests Kipling, who has, above all writers of our time, caught the fancy of young poets and story-tellers. A story by Mr. Van Rensselaer, The Corward, also has a suggestion of Kipling, but more in the story than the style. The author could well try rewriting The Coward many times; at the end it should be very effective. Corners in York, by Mr. Huckel, describes a ramble in the old English city under the guidance of an eccentric local character. It is well told. It takes some lines, however, for the reader to decide which York is meant...