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Word: cowardly (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Physically Cheng seemed unaffected by his hermit's existence. But as Ann Arbor police hauled him off to the county jail, his four-year preoccupation with loss of face suddenly vanished. Said he: "I have been a coward. I'm glad I was found...

Author: /time Magazine | Title: Education: Scholar's Tower | 9/7/1959 | See Source »

Marguerite Tarrant's Lorraine is a striking portrayal of a high-living, overglamorous star. And she is pleasant to look at in her stunning dresses and jewelry. John Wolfson brings the proper affectation to the part of a thinly-disguised Noel Coward; and Erich Segal is a colorfully mad Hollywood type...

Author: By Caldwell Titcomb, | Title: Man Comes to Dinner at the Union | 8/6/1959 | See Source »

...less serious but more widely ballyhooed British dance product was also on display in London last week: the first ballet of Playwright Noel Coward, titled London Morning. The 32-minute work was commissioned by Britain's Festival Ballet and was suggested to him, said Coward solemnly, by the nursery jingle, "Pussycat, pussycat, where have you been?" To a tinkly, tearoom blend of Coward tunes, the curtain rose on a fantasticated façade of Buckingham Palace, at which an ice-cream-suited American was directing a battery of cameras. In quick succession, an Indian girl, a trio of tarts...

Author: /time Magazine | Title: Music: Ballet from Britain | 7/27/1959 | See Source »

Enthusiastically applauded by a dressy first -night audience, the ballet was drubbed by the critics. "No amount of balletic license," said the Financial Times, "can really excuse this parade of cliche and low comedy." But Playwright-Composer-Actor Coward had an answer: "If I wrote for the critics, I would not be so happy-or so successful...

Author: /time Magazine | Title: Music: Ballet from Britain | 7/27/1959 | See Source »

Barry Morse plays Tanner at Wellesley with all the elegant arts of a skilled high-comic actor. It is a brilliant, slick performance, full of gaiety and verve and a fast-talking grace reminiscent of Noel Coward. Mr. Morse is admirable as the quarry of the love-chase, the baffled and laughed-at talker, but there is more to the character than the excitable little man he gives us. The "Olympian majesty" specified by Shaw is missing; Tanner's magnificent brashness becomes mere cheek. Mr. Morse can lay down doctrine with considerable brio, but his John Tanner never seems committed...

Author: By Julius Novick, | Title: Man and Superman | 7/23/1959 | See Source »

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