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...statement that, "It's the kind of thing Alfred Lunt and Lynn Fontanne used to do," but I wonder if it's fair to remember that magnificent team for the cheapest of their quasi-historical vehicles. In better moments they could be found performing the works of Sherwood, Coward, Molnar, and Shaw...

Author: By Timothy S. Mayer, | Title: The Lion in Winter | 2/19/1966 | See Source »

...outsmarted Fanny Brice's long list of courtiers by offering her something no millionaire could produce: a vaudeville act. She liked the material, and she liked Billy enough to marry him two years later; she called him a "Jewish Noel Coward." Suddenly Rose found himself at the starting line again. To Fanny's friends, she was America's top comedienne, but Billy was just Mr. Brice. Again Rose jumped, this time toward Broadway. In 1930 he produced Corned Beef and Roses. It was a loser from overture to finale. He rewrote it, renamed it Sweet...

Author: /time Magazine | Title: Showmen: The Competitor | 2/18/1966 | See Source »

ALLENBY OF ARABIA by Brian Gardner. 314 pages. Coward-McCann...

Author: /time Magazine | Title: Books: The Bull | 2/11/1966 | See Source »

...show could have had a ball. He could also have had a fit trying to make up his mind. Should he see Shaw? There would be four revivals in London in the course of the year, one of them with Sir Ralph Richardson. Coward? Four of his plays would run, with Noel in two of them. Arthur Miller? Sir Alec Guinness just opened in Incident at Vichy. Musicals? Hello, Dolly! has Mary Martin, no less. Chekhov? Sir John Gielgud and Claire Bloom were great in Ivanov. There was also a new Hamlet, starring a 24-year-old flash named David...

Author: /time Magazine | Title: The Stage: The New Elizabethans | 2/4/1966 | See Source »

...century. But in 1962, Olivier was given the Old Vic theater on the south bank of the Thames and an annual grant of $364,000. He has since made it one of the finest stage companies in the world. Among its recent productions: Olivier's first Othello, Coward's Hayfever, Brecht's Mother Courage. Peter Hall was involved in a similar buskin-strap operation on the Royal Shakespeare Company. Before he took over in 1960, the group had restricted itself to Shakespeare at Stratford on Avon. Today, thanks to a $252,000-a-year subsidy, Hall...

Author: /time Magazine | Title: The Stage: The New Elizabethans | 2/4/1966 | See Source »

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