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Word: cowardly (lookup in dictionary) (lookup stats)
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...defiantly déjà vu as Private Lives, Miss Julie and 'Tis Pity She's a Whore (allusions to which snake deviously through the plot). On its dazzling surface, The Real Thing is a throwback to the comedies of Oscar Wilde, Noël Coward and Philip Barry. This is love among the leisure classes, in which aristocrats of style spend their time polishing epigrams and tiptoeing into one another's penthouse souls. Stoppard's characters have always been able to skate on their plays' surfaces with Olympic-gold dexterity; Rosencrantz and Guildenstern...

Author: /time Magazine | Title: Theater: Stoppard in the Name of Love | 1/16/1984 | See Source »

...closet. And though there is no ammunition, it seems to me to lie there, ticking. I mean, I know I ought to throw it out. Or not worry about it, after all, everybody has them. And cars are dangerous, germs are dangerous ... So I'm not a coward or a hypochondriac so much, with respect anyway to risks of certain orders. I've taken on a bully or two, in my professional capacity, and on occasions of another sort risked my physical self. But this buying of a gun, this simple, in some ways quotidian purchase...

Author: /time Magazine | Title: Books: Illuminations and Reflections | 12/5/1983 | See Source »

PENN STATE 20,000, BROWN 0--Paterno had for himself, is he not king? Awake, thou coward majesty! thou sleepiest. Is not the king's name 20,000 names? Arm, arm, your name! A puny subject strikes at thy great glory...

Author: NO WRITER ATTRIBUTED | Title: On Bard Time | 11/5/1983 | See Source »

...NOEL COWARD'S Design for Living, as it is now performed by the Huntington Theater Company, shines and glistens, amuses and entertains; it is an enjoyable evening of theater. But ironically, it lacks the shimmer of sophistication which is both the subject and the essence of the play...

Author: By Frances T. Ruml, | Title: Superficial Reflections | 10/13/1983 | See Source »

...three principal actors seem to be plumbing their characters for a substance and realism which never was intended and never can be found. As a consequence, they neglect to polish and refine the little details which would have given a rarefied touch to Coward's flight of fancy. Katherine Ferrance as Gilda is appropriately sleek, but one cannot believe that a character who doesn't know what to do with her own arms and legs can skillfully manipulate other people. Richard Council as the painter Otto is a bit too heavy and straightforward, he says witty things, but his tone...

Author: By Frances T. Ruml, | Title: Superficial Reflections | 10/13/1983 | See Source »

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