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When Frank is proposing to his charming protege, bullets fly through the windows. Calmly he ships Joan to Miami so that he may dispose of his enemies without endangering her life. An exclusive hotel harbors Joan until she meets an insipid crooner who confesses he is a coward. If a splinter pierces the delicate epithelium on his finger, or if the sun darkens his pure white skin, he has conniptions. Emasculated as he appears on the surface, he faces death with remarkable nonchalance; he is there in the pinch. Maybe this characterization conveys something mystical and beautiful...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON PLAYGOER | 10/26/1933 | See Source »

...characters are insignificant puppets; the situations are replete with refined slapstick and flippant chatter just one level above that of a mediocre burlesque show, and Noel Coward's personality remains aloof in the background. He is there; for he is, without any doubt, a superior showman who knows the mood of the public. As a movie, "Private Lives" is one of the few that will keep your interest to the end. The photography is particularly skillful in the Alps scenes, and is never slipshod. Robert Montgomery and Norma Shearer are convincing lunatics, boisterously funny...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Playgoer | 10/11/1933 | See Source »

Without apparent effort, S. N. Behrman has created the most amusing comedy that has come to Boston in many years. He hasn't satirized the life of an artist, nor has he burlesqued it. Yet without relying on low comedy or the pseudo-intellectual repartee of Noel Coward, which evokes laughter from the "sophisticated,"--an obnoxious word--he has patterned a delightful play around a series of commonplace situations. His trick--I shouldn't use the word, for Mr. Behrman is more experienced than the majority of playwrights whose characters fluctuate according to their whims--more accurately, his method...

Author: By G. R. C., | Title: The Crimson Playgoer | 10/5/1933 | See Source »

Bitter Sweet (British & Dominions) is a lavender-scented reproduction of Noel Coward's operetta about a girl who married a young musician, became a dancer at the Viennese cafe where he led the orchestra, attracted the attentions of a lecherous captain, had her heart broken when the captain stabbed her husband to death. With much more charm than most British musicomedies-which are inclined to be prim and lazy-Bitter Sweet is notable chiefly for its blonde leading lady, Anna Neagle, a onetime chorus girl. The producers of the cinema version of Bittersweet which Noel Coward insisted be made...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 4, 1933 | 9/4/1933 | See Source »

Rabid imperialist, Rhodes once sneered at British policy as "philanthropy-plus 5%." Sometimes called a coward, Rhodes quitted himself like a brave man when the Matabele ran amuck and were proving costly to subdue. Unarmed, with a few companions, Rhodes went among the Matabele warriors, persuaded the chiefs to air their grievances and lay down their arms. Only big mistake of Rhodes's career, which cost him the loyalty of many a South African, was the Jameson Raid into the Transvaal, which it was hoped would finish President ("Oom Paul") Kruger and his Boers, bring the Transvaal into Rhodes...

Author: /time Magazine | Title: Books: Rhodes to Glory | 9/4/1933 | See Source »

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