Word: cowboy
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...Stockbroker Billy Bob Harris, 44, who is "a regular celebrity groupie," says Writer Edwin ("Bud") Shrake, a former Dallas sports columnist. Harris is friendly with Don Meredith, former Dallas Cowboy quarterback, ABC Monday Night Football commentator and TV pitchman; former Cowboy and Denver Bronco Quarterback Craig Morton, his onetime roommate; and country-and-western Singer Kenny Rogers. The broker's parties are known for "wall-to-wall girls, champagne, hot tubs and more girls," says Shrake. They were vividly portrayed in fictionalized form in the movie North Dallas Forty. Harris, who gave stock reports on Dallas TV, announced...
...actions and military procurement. To some defense professionals, he seemed both well placed and well suited to carrying out budget cuts: a hard-nosed businessman and a decorated World War II Navy aviator with a mastery of many weapons systems. But he had another reputation: that of a boisterous cowboy who talked too much and read too little...
DIED. Rod Cameron, 73, swaggering cowboy actor; after a stroke; in Gainesville, Ga. Cameron played in more than 100 western and action films over almost four decades. On television, he played Police Officer Bart Grant in the series City Detective and later starred in State Trooper...
DIED. Slim Pickens, 64, grizzled actor with a gulch-wide twang who played second-banana Hollywood cowpokes in westerns including One-Eyed Jacks (1961) and Blazing Saddles (1974), but whose indelible screen moment was his cowboy-hat-waving, yeehah-ing ride on a nuclear bomb dropped on the Russkies in Dr. Strangelove (1964); of lingering complications after the 1982 removal of a brain tumor; in Modesto, Calif. Born Louis Bert Lindley Jr., he changed his name in the 1930s when he became a rodeo clown and bronco buster, explaining his new moniker "was a natural, considerin' that in those...
There is no reason in economic history why the American cowboy ought to be any more interesting than, say, the American steelworker or coal miner. Yet in some complex translation of reality into the collective American myth, the cowboy became a national ideal, the symbol of civilized individualism riding west. The state of the cowboy myth became a gauge of American values, of the way that the nation envisioned good guys and bad guys: the wholesomely, vapidly manly Buck Jones-Tom Mix model gave way to a post-World War II demigod. John Wayne, who had none...