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Word: cowboyed (lookup in dictionary) (lookup stats)
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...dismissal. It remains impossible to predict which instances of insult will stop being benign to American audiences and begin to offend. Amid the furor over Imus’s own misstep, we must acknowledge that the onus of accountability extends well beyond the shoulders of one desiccated fake cowboy, brought up in a world where grime is money...

Author: By James M. Larkin | Title: Imus’s Accomplice | 4/18/2007 | See Source »

...love ballads he sang in films sent 10 million senoritas into ecstasy; he crooned, they swooned. The movies he starred in were among the most popular in Latin America; and one, the 1948 Nosotros los pobres...! (We the Poor) is the biggest hit in Mexican film history. He anchored cowboy comedies, historical-political epics and dozens of vein-popping romantic melodramas. He played virginal student-priests (in El Seminarista -The Seminarian) and rogues who at the crack of dawn rose from a lady's bed and jumped out the window (in Dicen que soy mujeriego -They Call Me a Ladies...

Author: /time Magazine | Title: Learning Pedro Infante | 4/15/2007 | See Source »

...number of “I’m sorry’s” that I received upon telling people I came from Texas. Not only was I surprised, but I was offended that my entire state was viewed as just part of the gun-toting, hick-speaking, cowboy-hat-wearing South...

Author: By Jessica C. Coggins | Title: This Is Our Country | 4/12/2007 | See Source »

...least persona. Compared with Imus, for instance, his rival Howard Stern may be offensive, but he's also self-deprecating, making fun of his own satyrism, looks and even manly endowment. Imus doesn't take it nearly as well as he dishes it out. His shtick is all cowboy-hatted swagger, and his insults set him up as superior to his targets and the alpha dog to his supplicant guests...

Author: /time Magazine | Title: The Imus Fallout: Who Can Say What? | 4/12/2007 | See Source »

...Hollywood had men-only genres too, especially the western. Cowboy films allowed for a token lady part, to give the hero someone to fight over; but she would never do the fighting, instead cowering, paralyzed with dread, during the final showdown. It wasn't until the exploitation movies of the '60s and '70s--the ones paid lavish tribute in Grindhouse--that the gals in guy-genre films finally had something to do: take charge, kick ass and kill people. The films weren't exactly feminist, since the actresses usually had to take off their blouses before they could flex their...

Author: /time Magazine | Title: The Big Picture: Why Can't a Woman ... Be a Man? | 4/5/2007 | See Source »

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