Word: cowed
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...Rachel Maddow, rhymes with shadow. Not Maddow, rhymes with mad cow, which is how her name has been mispronounced by countless guests on Air America Radio's The Rachel Maddow Show, from Michael Moore to Viggo Mortensen. MSNBC hosts Nora O'Donnell and David Gregory (for whom Maddow has served as a regular panelist) have said her name wrong, as have most of her Air America co-workers, including her frequent co-host David Bender and the big-voiced announcer guy who introduces the show each day from 6 to 9 p.m. ET on Air America affiliates, the network...
...sale could put about $120 million into Hirst's already well-lined pockets, a payday unlike anything any living artist has seen. And The Golden Calf will be the prime lot, with a presale estimate of $14.6 million to $22 million. Sometimes a bull is truly a cash cow...
...when Hirst is not good? He's still a cash cow. Over the past two decades, with work of very fluctuating quality, Hirst has assembled a net worth that the Sunday Times of London estimated earlier this year at $364 million. The money has bought him a farm in Devon where he lives with his companion Maia Norman and their three sons; a Gothic Revival mansion that he plans to convert into a private museum; and a house in Mexico where the family relocates for three months a year so Maia, who's Californian, can surf. When...
...Mind of Someone Living, offered a giant beast of prey as a belligerent correlative for a universally suppressed anxiety. A Thousand Years is a large glass box in which real maggots hatch into flies that appear to feed on blood (actually red sugar water) from a severed cow's head, then are killed by an electric bug zapper - the tragic cycle of life and death played as low farce by the lowest orders. And there's something both hilarious and chilling about his Lullaby series, steel and mirror-glass medicine cabinets in which colorful pills are meticulously organized into glittering...
...early on an equivalent in his own work for Bacon's key motif: tortured figures writhing within a bright, clinical space. Hirst's meticulous glass tanks have some of the same feel about them, sanitary enclosures for something menacing (that shark), visceral (a bisected calf) or even putrid (that cow's head). In recent years Hirst has also begun to absorb Bacon's actual imagery into his tanks of formaldehyde. Two years ago he showed a work derived from one of the anguished triptychs Bacon made after the suicide of his lover George Dyer - with slaughtered sheep substituted for Dyer...