Word: cowing
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Dates: during 1990-1999
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...Germany, my family lived in a quaint Bavarian hostel overlooking mountains which would impress even the Ricola house band. Each morning, we would sit to a breakfast of cereal with milk from a cow we could see through the window, bread with cheese made in the neighboring town and conversation topped with the mindless thumping of music from home. Our hosts, Christoph and Jutta, were warm country folk, with an agreeable predisposition to sausage and beer, but, alas, an ugly fetish for American music...
...luck would have it, has his own amusement park. Blaubar's assistant, Heimblud is a tall, lanky weasel--an absurd caricature of Mickey Mouse who proves, once and for all, that all rodents are not created equal. The park itself is an odd collage, including a petting zoo, cow-milking competition, and a half pipe for skateboarding teenagers...
...sequel to the soundtrack for a sequel? The Austin Powers cash cow seems just about ready to kick the milking stool. Fortunately, More Music from Austin Powers 2 tries to avoid the charge of merely trying to cash in by including snippets of dialogue and a fair number of movie-relevant songs (They Might Be Giants' "Dr Evil"). Unlike the hero of the execrable movie, the album remains firmly fixed in the '60s. It sadly lacks the Bacharach tunes and kitschy cover versions of the first two soundtracks, but it has a solid sense of pop music in Swingin' London...
...chaps, and boots with spurs--every day? Sure, quitting your day job and becoming a full-time cowboy is probably out of the question. But it is possible to try your hand at tossing a perfectly circled rope through the air over the head of a 1,000-lb. cow. At the Cowboy School, based in Pearce, Ariz., Bob King teaches novice cowboys (O.K., cowpersons) old-time roping techniques, plus how to handle cattle, transform a horse into a partner and manage land and water resources. A week ($1,250) includes lodging in an authentic bunkhouse and three squares...
...sliced down their middle or sideways and displayed in all their forensic grimness inside formaldehyde-filled cases. The alarming piece that first brought him fame is here as well: A Thousand Years (1990), with its vitrine full of maggots and flies that swarm over the bloody head of a cow. It's a little pocket of hell: nauseating, unerringly brutal, but its shock looks death terribly in the face. Not silly, not shallow, not shock for shock's sake. Nor is Marc Quinn's Self (1991), in which a cast replica of the artist's head is filled with eight...