Word: cowled
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Jenny. So long as Jane Cowl appears delightfully arch, points her wit with her own sly, luscious laughter and plays the scales with her throaty voice, she will receive plenty of homage. But many of her admirers who see her in Jenny will wonder why so subtle and personable an actress permits herself to appear in such a stale, superficial play. Co-Playwrights Margaret Ayer Barnes and Edward Sheldon have pictured John R. Weatherby, a corporation lawyer who has pampered his family until they are all incorrigible. His wife's senile intimacies with a Russian prince and a willowy...
Incredibly, he began to hear voices--two voices. (He insists that he "heard" them; no "Imagination" no, sir!) As from two invisible-well, "microphones," as one would say now. At either end of the cowl in front of him. And he himself some Third Person. A petrified audience...
...unforgettable experience. Utterly real. As though those two Voices were actually there-either end of the cowl...
...gear shift is a handgrip extending from the cowl instead of a lever from the floor...
Plymouth at 8:10--"Jenny". Jane Cowl and a good cast go talky-talky, and continue far into the night...