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...Scott Fitzgerald's royalties amounted to $81.18. Late last month, a signed first edition of The Great Gatsby was auctioned at Sotheby Parke Bernet in New York City for $4,250. Critic Malcolm Cowley's copy of Gatsby was knocked down at $1,000, and his copy of Tender Is the Night, inscribed by the author, went for $3,200. Dozens of other major and minor writers of the 1920s were similarly appreciated. William Faulkner's The Marble Faun-well preserved and signed -brought $6,250; William Carlos Williams' scarce first book Poems went...

Author: /time Magazine | Title: Books: The New Literary Appreciation | 4/25/1977 | See Source »

Under Ross, the magazine was a unique, unstable amalgam of laughter, arrogance, politesse and information. "If you can't be funny, be interesting," he instructed his staff. To that end The New Yorker set a tone that Critic Malcolm Cowley described as nostalgia mixed with condescension. It acted as if the weekly party-to which the reader was always extended an invitation-would never...

Author: /time Magazine | Title: Time Essay: The New Yorker Turns Fifty | 3/3/1975 | See Source »

...faith in the old world. Strangely enough, the American attitude towards Europe in the post-war period seems to have been strongly influenced by a detached, outsider's view of the fighting, seen through ambulance windshields by drivers like E. E. Cummings, John Dos Passos, Dashiell Hammett and Malcolm Cowley...

Author: By Janny P. Scott, | Title: The Love Song of Stephen Spender | 10/7/1974 | See Source »

PSYCHOLOGY IS NOT the only way to have better approached the facts. Malcolm Cowley, the critic most responsible for Faulkner's reputation, would have had Blotner use synecdoche--the detailing of a minor incident as an illustration of a larger idea. But rather than use synecdoche, psychology or any other method, Blotner includes trivial facts whenever his copious research uncovers them...

Author: By Walter S. Isaacson, | Title: Intrusion in the Dust | 4/13/1974 | See Source »

...Blotner. BlotnerBlotnerBlotner Blotner. We could have guessed just from the sound of the name of the biographer that the approach would be neither magical nor mysterious. It's good, it's all there, but it's Blotner. Why not Carvel Collins, Cleanth Brooks, Malcolm Cowley? These names (and writings) ring, echo Quentin Compson, promise a more magical treatment--a story told worthy of the great story-teller. But Collins fought with the Faulkner family a while back--sin number one for a megabiographer--and his biography had to wait for Blotner's. Cleanth Brooks will eventually come out, I hope...

Author: By Walter S. Isaacson, | Title: Intrusion in the Dust | 4/13/1974 | See Source »

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