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Word: coxing (lookup in dictionary) (lookup stats)
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...Nashville disk jockey, who put the 42-second clip from the hit show on the air. The resulting clamor convinced the heretofore subcult-following duo that they ought to add the song to their third album, LP. And now the folks from Friends, including JENNIFER ANISTON, COURTENEY COX and LISA KUDROW are helping out by pretending to play instruments for the video. Somewhere, Davey Jones is smiling...

Author: /time Magazine | Title: People, Jun. 5, 1995 | 6/5/1995 | See Source »

Other potential candidates, such as MIT PoliceChief Anne P. Glavin and Boston Lt. Det. RichardC. Cox, told the Crimson that they had not appliedand were not interested in the position...

Author: By Victor Chen, | Title: Chief Search Advances; Choice Likely by Fall | 5/24/1995 | See Source »

...Fillipine] catch the crab out of thecorner of my eye," stroke Chris Dewing said. "Iyelled at [cox] Todd Kristol--who I knew couldn'tsee anything--'Let's go!' I think everyone justrealized all at once that we were suddenly ahead...

Author: By Matt Howitt, | Title: M. Heavyweight Crew Trounces Brown in Upset | 4/17/1995 | See Source »

...four years preceding his death in 1970, at age twenty-six), Hendrix assumed many guises. Perhaps the most serious and introspective version can be found on /Band of Gypsys. The band on this album features a rhythm section that consists of Hendrix's childhood pals, Billy Cox on bass and Buddy Miles at the drums and supplying many of the vocals. Although Miles is perhaps not so exciting and virtuosic a drummer as his predecessor Mitch Mitchell, Cox is definitely a better, funkier and less egotistical bass player than Hendrix' long-time sideman, Noel Redding...

Author: By Eric D. Plaks, | Title: Re-enter the Bastard Son of Jimi Hendrix Albums | 4/13/1995 | See Source »

...solos with an absolute seriousness that would soon disappear from records in the face of the absurdity and high camp of Parliament-Funkadelic an other funkers. "Who Knows" is a song about confusion, with Hendrix' ever-changing guitar sound feverishly groping through chaotic fields of sound, as Miles and Cox groove along sympathetically. Hendrix opens his last solo of the ten-minute track with an eerie, apocalyptic, metal-on-metal sound-like a restless spirit trapped in a grotesquely funky prison. Twenty-five years after the fact, it is clear that Hendrix is still the master of pure sound...

Author: By Eric D. Plaks, | Title: Re-enter the Bastard Son of Jimi Hendrix Albums | 4/13/1995 | See Source »

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