Word: coyness
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Dates: during 1960-1969
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...Broadway musical (which was based on Thornton Wilder's farce The Matchmaker). It is woven from a solitary yarn. Matchmaker Dolly Levi sets great store by Horace Vandergelder's feed and grain store and decides to snare him for her own. She does. Curtain. In between their coy runaround, tiny complications arise. None of them matter, but several are the premises for blithe and sumptuous dance numbers. The most kinetic, Dancing, is happily reminiscent of the old MGM musical It's Always Fair Weather, starring a couple of guys named Gene Kelly and Michael Kidd...
Candor is as much a part of Edmund Muskie as his easy grin and his sincere visage. Last June-amazingly early by the coy calendar of most politicians -the Democratic Senator from Maine told an interviewer that "the idea of running for President is in a remote corner of my mind." Then Muskie casually listed two drawbacks: his own lack of familiarity and identification with some national issues and the fact that, as matters then stood, Senator Edward Kennedy could get the Democratic nomination in 1972 "for the asking...
That one-star, one-line rating for the Weinhaus Maternus in the Michelin German guidebook is somewhat coy, albeit accurate as far as it goes. The service, as Michelin indicates, is indeed gemütlich and the food good. Eating there is also reasonable: a dinner for two can be had for $12. What the guidebook fails to mention is that Maternus, located in the Bonn suburb of Bad Godesberg* is undoubtedly the most important restaurant in West Germany. Its primary bill of fare is politics, not Sauerbraten, and as the capital's gathering place for party leaders, deputies...
...characters compensate for the choreography by their obvious delight in what they are doing, particularly Adam Yarmolinsky and Abram J. Chayes, the law school professors, playing two janitors in "Trash Is Our Bag". Yarmolinsky shuffles his broom with a coy smile as he explains about the mess in Chayes' office and all the mimeographed sheets students print that he has to sweep...
...theater, Fosse's fluid scene shifting seemed cinematic. On film, the process is reversed. Dance numbers are given coy subtitles, crowd scenes seem achingly stagy. Whenever he cannot provide a valid transition, Fosse makes the frame a mammoth still picture of his star -strictly for those interested in the north, south, east and west faces of Mt. MacLaine. Regardless of how attractive the faces are, that is not film making, it is map making...