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...theme of intellectual haplessness. Its narrator, Kenneth Trachtenberg, 35, is an assistant professor of Russian literature at a university in an unnamed "Rustbelt metropolis" in the Midwest. Raised in Paris by expatriate American parents, Kenneth has come back to the U.S. to be near his maternal uncle Benn Crader, a man in his 50s and an eminent botanist, revered by fellow specialists for his work on Arctic lichens. Kenneth's obsession with Benn stems from a conviction that "you have no reason to exist unless you believe you can make your life a turning point. A turning point for everybody...

Author: /time Magazine | Title: Books: Victims Of Contemporary Life MORE DIE OF HEARTBREAK | 6/15/1987 | See Source »

...most convincing characterization was Jeanine Crader's Phedre, really the only role of any dimension. Though a small-voiced mezzo, she turned on her contralto chest tones when the occasion demanded, bravely sacrificing tonal purity for dramatic effect. The Thesee of baritone George Fouree was excessively forced, with no top notes; probably he was preoccupied with flailing the devils sailing over his head. Boris Carmeli (Pluton), Carol Bogard (Diana) and Norman Kelly (Tsiphone) were all effective in their smaller parts...

Author: By Jeffrey B. Cobb, | Title: Rameau's Hippolyte | 4/14/1966 | See Source »

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