Word: crader
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Dates: during 1960-1969
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...most convincing characterization was Jeanine Crader's Phedre, really the only role of any dimension. Though a small-voiced mezzo, she turned on her contralto chest tones when the occasion demanded, bravely sacrificing tonal purity for dramatic effect. The Thesee of baritone George Fouree was excessively forced, with no top notes; probably he was preoccupied with flailing the devils sailing over his head. Boris Carmeli (Pluton), Carol Bogard (Diana) and Norman Kelly (Tsiphone) were all effective in their smaller parts...
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