Word: craft
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...freeze-dried ice cream, similar to the kind that passengers on the space shuttle eat. Houston's Museum of Fine Arts offers a Michael Graves-designed teakettle ($70). The Natural History Museum of Los Angeles County sells West African ceremonial feathered headdresses ($160). At the Craft and Folk Art Museum in Los Angeles one can buy teddy bear pins ($14) and concrete paperweights...
...stage has an authentic voice beyond the naturalism commonly found in film and TV, theater directors often turn their backs on narrative or at least overlook basic flaws in the plausibility of characters and the logic of plots. They take, in effect, a rock-video approach to their craft...
...weary civilization stifled man's best primal instincts. This time Hudson does not take sides. He hates 'em both. The Redcoats stagger across a battlefield like Monty Python twits; the colonists see defeat approaching and run like dogs. But this seems less cynical impartiality than a failure of craft. The film's central characters have virtually nothing to do with the winning or losing of the war. Working-class Boatsman Tom Dobb (Al Pacino, whose bizarre Scots-Bronx accent sticks in the ear like a nettle) goes to war, quits and goes again. The patrician Daisy McConnahay (Nastassja Kinski) rebels...
...tics, tricks and mannerisms. She is being mentioned for an Oscar nomination--it would be her eighth--and since she is doing enough acting to fill at least that many pictures right here, she may get it. That her highly theatrical style has almost nothing to do with the craft of movie acting will probably not harm her cause: academy members traditionally like to see what they are voting for. The irony is that it is still not enough to fill out Foote's essentially empty drama. --By Richard Schickel
...lead to kicker in book form, Buchwald's formula whimsy loses much of its punch. Verbal skits about Geraldine Ferraro, Michael Jackson, the President, home-computer miseries, the Pope and Cabbage Patch dolls now read like shots in the dark. Yet this and previous collections of the journalist's craft may one day enjoy new life. Buchwald's job is to repeat history as farce faster than one can say Karl Marx. To the patient reader, farce inevitably returns as nostalgia...