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...with chat-show host Andrew Denton last year, Hogan confessed his disdain for acting. "It's a rather childish pursuit," he said. "'I pretend I'm someone, and I'm, you know ... really good at pretending.' And I don't sort of get on with people who polish their craft and go to the edge of the envelope and take it a bit too seriously." Watching Strange Bedfellows, you wish he'd pretend a bit more - loosen up and have some fun. Because his eyes are beginning to lose their twinkle...

Author: /time Magazine | Title: A Jumble of Stereotypes | 4/18/2004 | See Source »

This year’s powwow was held in the Quadrangle Recreational Athletic Center (QRAC) last Saturday. The event was, without a doubt, a triumph: multiple dance groups from across the country participated, and craft vendors came to peddle jewelry, carvings, books and music albums...

Author: By Stephen M. Fee, | Title: The Invisible Minority | 4/15/2004 | See Source »

...built rocket to take passengers on suborbital spaceflights; by the U.S. Federal Aviation Administration (FAA); in Washington, D.C. The space-launch license, which was given to a California company headed by aerospace pioneer Burt Rutan, represents "a big step" toward space tourism, said FAA spokesman Henry Price. Rutan's craft, dubbed SpaceShipOne, was successfully tested on Dec. 17 last year. It reaches high altitudes slung beneath the belly of White Knight, an ungainly jet aircraft, before being launched into space. The craft is competing for the $10 million "X Prize" for the first private team to send three humans...

Author: /time Magazine | Title: Milestones | 4/12/2004 | See Source »

...lucky in that I have wonderful roommates and a great entryway, so that’s definitely helped Harvard feel like home. As far as acting is concerned, working with new people in new spaces can’t help but teach me more about my craft and myself as a performer...

Author: By Vinita M. Alexander, CONTRIBUTING WRITER | Title: Spotlight: Andrea M. Spillman '07 | 4/9/2004 | See Source »

...Choreography, Balanchine suggested, wasn?t a lofty art but a craft like that of a cabinetmaker or a chef turning out his sauces and souffl?s. Always he saw himself at the service of the music, particularly that of Igor Stravinsky, a personal and artistic soulmate to whose scores he set 39 works. Instead of elaborately plotting his ballets in advance, he simply rolled up his sleeves and went to work with his dancers. ?Choreography just kept pouring out of him,? says Helgi Tomasson. ?He made up the steps in the studio. I could barely keep up with him. I remember...

Author: /time Magazine | Title: Balancing Balanchine | 3/26/2004 | See Source »

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