Word: crafting
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...ambiguous employment as a member of the working press. Plying his trade under a variety of guises that have ranged from the timeless street scenes of Dickens 'Sketches by Boz to the out-and-out polemics of H.L. Mencken, the essayist has approached the inherent conflicting interests of his craft with a full larder of whimsical irony. Immersed in the wage-earning and ephemeral world of four-alarm fires and political intrigue, the true essayist has had to continually suppress or blunt what E.B. White calls "the childish belief that everything he thinks about, everything that happens...
EXCEPT FOR ITS ending, there are no weak links in The Big Red One, but three sequences stand out. Fuller's dramatization of the attack at Omaha Beach on D-Day begins as a personal affair. Unlike the 1962 epic The Longest Day, which featured a fleet of landing craft the size of a dozen Spanish Armadas ("Every dot on that screen is one of our boats...we're making history"), The Big Red One focuses of five men, none of whom want to be heroes, all of whom desperately want to live...
...book, hefty enough to double as a good barbell for beginning weight lifters, is a collection of Harrison's photos, reflections and lyrics. Many of these are printed not only in elegant type but also in their original scribbled state, with inks and stationery letterheads reproduced with the craft and fidelity usually reserved for a Monet. Though he wrote Here Comes the Sun and Something, Harrison was not the foremost of the Fab Four as everyone - perhaps including George himself - would agree. "The small change of a short lifetime" is the way he describes the contents in a foreword...
EXCEPT FOR ITS ending, there are no weak links in The Big Red One, but three sequences stand out. Fuller's dramatization of the attack at Omaha Beach on D-Day begins as a personal affair. Unlike the 1962 epic The Longest Day, which featured a fleet of landing craft the size of a dozen Spanish Armadas ("Every dot on that screen is one of our boats...we're making history"), The Big Red One focuses of five men, none of whom want to be heroes, all of whom desperately want to live...
EXCEPT FOR ITS ending, there are no weak links in The Big Red One, but three sequences stand out. Fuller's dramatization of the attack at Omaha Beach on D-Day begins as a personal affair. Unlike the 1962 epic The Longest Day, which featured a fleet of landing craft the size of a dozen Spanish Armadas ("Every dot on that screen is one of our boats...we're making history"), The Big Red One focuses of five men, none of whom want to be heroes, all of whom desperately want to live...