Word: crafting
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...only an associate member of the Society of Air Safety Investigators, which promotes improved crash-probe techniques, but also a pilot of what he describes as the "Lindbergh baby" generation, with nearly 2,500 hours of flying time which he has accumulated over the past 27 years in craft ranging from modern jet interceptors to his own classic Ercoupe and a Cessna 182 that he shares with other enthusiasts...
...radio equipment that could have prevented the KLM pilot from hearing the last vital communications from the airport tower or from the Pan Am cockpit. If both pilots and the tower controllers had fully heard ?and understood?one another, the KLM pilot would never have sent his craft hurtling toward takeoff before the Pan Am plane was off the runway...
...sister aircraft that had so disastrously converged in the distant Canary Islands fell victim to split seconds of bad luck. There was every evidence that KLM Pilot Veldhuizen had heroically pulled the nose of his huge craft abruptly into the air to leapfrog over the Clipper. Pilot Grubbs was also violently yanking his ship to the left to get out of the way. Experts estimate that the KLM plane needed only 25 ft. of added altitude to avoid the collision, saving the Pan Am passengers. Whether Veldhuizen could have controlled his plane to avoid crashing is questionable. "He probably knew...
Seed on Good Earth. Leach's reputation as a bridge between Eastern and Western craft traditions-once a Zen Buddhist, he is now a devout member of the Baha'i faith-has helped to turn his St. Ives studio into a place of pilgrimage for hundreds of younger potters over the years. But the number of students working there remains limited to eleven. In an age of mechanical reproduction and mass production, the "Seventh Kenzan"-as some Japanese potters affectionately call him-has played a major part in preserving the old authority of the human hand. Above...
...Records). Nothing happens in the usual sense. Glass composes by an additive process. Short melodies are repeated dozens, even hundreds of times, while new elements are gradually introduced and events are kept to a minimum. The composer writes for amplified keyboards, winds and voices, using as tools of his craft a pulsating rhythm, overlapping figures and a moving chromatic bass line. The overall effect is soothing, with strong yet not dogmatic liturgical overtones. Fans of German rock groups may spot similarities between Glass and Kraftwerk. Those classically oriented will think of Johann Pachelbel...