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Trained at his father's kiln. Designer Willet acquired a second-generation ease with his materials which has enabled him to perpetrate many a monkish jest in solemn designs. The first work he ever submitted to Architect Cram showed a young, red-haired craftsman offering a sample window to a stern king with Cram's features. In classical script appeared the legend: Non tam bona quam quaedam fortasse mon tam mala quam quaedam alia certe.* Cram looked it over, asked: "What is that little devil doing whispering in my ear?" Said Willet: "Oh, that...

Author: /time Magazine | Title: Art: Laborers Together | 10/11/1937 | See Source »

...artists are fairly ordinary fellows, only a little better sensitized than most, and that art comes from man's impulse to show the Creator what he can do. He deplores the division between arts and crafts, believes an artist is and should be regarded as merely an exceptional craftsman...

Author: /time Magazine | Title: Art: Cultural Corridor | 10/4/1937 | See Source »

...friends. Her arrival pleased the Khan because it meant the regiment would follow through the pass to certain slaughter. When Old Boots ignored the volleys of the hillmen to stalk up alone for a confab, the Khan changed his mind about the slaughter. Wee Willie Winkie is a craftsman's picture which is also, surpassingly, an audience's picture. To able Associate Producer Gene Markey goes credit for seeing how the suggestions implicit in the Kipling fragment could be nursed into an epic; to able Director John Ford (The Informer), responsibility for the picture's pace...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 19, 1937 | 7/19/1937 | See Source »

...apprenticeship, returned to England to dip his fiery pen into the Thames. Almost immediately the Thames took fire. At 24 Kipling was the literary man of the hour. He cannily steered clear of cliques, ran foul of no colleagues. "I have never directly or indirectly criticized any fellow-craftsman's output, or encouraged any man or woman to do so." He walked into success like a happy somnambulist: "That period was all, as I have said, a dream, in which it seemed that I could push down walls, walk through ramparts and stride across rivers." Kipling's parents...

Author: /time Magazine | Title: Books: In Allah's Name | 3/8/1937 | See Source »

Another insight into Persian painting may be gained from a portrait signed by the artist Aga Riza. This is dated about two and a half centuries later, from the end of the sixteenth century. Now there is no epic tale but a contemporary person, not an anonymous craftsman but a celebrated artist. Now it is studied delicacy of drawing, conscious rhythm of inner and outer line, but there is still the Persian abstraction. The body is without weight, a mere pattern of pleasing shapes of color, the pose is without stability...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 2/12/1937 | See Source »

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