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...accessions are two small linden-wood legionaries of death, carved in the mid-sixteenth century. They reflect the preoccupation with death then prevalent and resemble the skeletal figures in Holbein's Dance of Death, done earlier in the same century. With deft control of the wood, the craftsman of the Busch-Reisinger pieces grimly records the grotesque expressions on the legionaries' faces and the torn flesh as it hangs limply from their skeletons...

Author: By Ian Strasfogel, | Title: Two University Exhibitions | 1/12/1960 | See Source »

Died. Truman Bailey, 57, designer and craftsman who was inspired by the rich variety of artifacts he uncovered in Peru to set up a shop to revive long-dormant native arts, developed such a thriving export business that the Peruvian government took it over; in Lima, Peru...

Author: /time Magazine | Title: Milestones, Jan. 4, 1960 | 1/4/1960 | See Source »

Susse's reputation for fine sculpture casting runs back 200 years. André Susse, 49, the seventh in the Susse line of foun-drymen, is a meticulous craftsman and connoisseur. Over the years, Susse Brothers has played host and helper to such far-flung makers of sculpture history as Constantin Brancusi, Jean Arp, Henry Moore, Germaine Richier, and the painter-sculptors Picasso, Giacometti, Braque, Dali and Chagall...

Author: /time Magazine | Title: Art: Famed Foundry | 12/28/1959 | See Source »

...inherited in the Brave New World of socialism, a group of young realist painters, known as the "Kitchen-Sinkers," celebrate with gusto the seamy world of cluttered kitchen tables precisely because it is "common to everyone." It is a world in which the plumber is hero, being both "a craftsman and a necessity." A good part of the Kitchen-Sink work looks as if a plumber could have painted it, including some still lifes that focus hard on that hardy piece of English enamelware, the water closet. But at its best the new realism has the effect of a pint...

Author: /time Magazine | Title: Art: Sink & Swim | 10/26/1959 | See Source »

...represented with only one print, a powerful woodcut entitled Death of a Laureate. A hideous, paunchy Caesar seems to gore himself with his own hand. The intricate details that contrast so effectively with the forceful large areas of pure black testify once more to the skill of this master craftsman of American art. More of his work should have been exhibited...

Author: By Ian Strasfogel, | Title: American Prints Today | 10/9/1959 | See Source »

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