Word: craige
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Dates: during 1920-1929
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...Samuel G. Craig is now editor...
Serene, undisheveled, he hastened away, to a reception at which he expected to meet fellow theosophists-Craig Biddle of Philadelphia, Mrs. Theus Munds of Manhattan, Major General James Henry McRae, Architect Claude Bragdon-as at Manhattan he had expected to greet Artist James Montgomery Flagg...
...painters. A majority of these normally well paid minions of Art rendered notable homage to Max Reinhardt's genius of appearing gratis at the operas, concerts, recitals of his festival. Not only was Everyman played tut Turandot and Ariadne were sung. The towseled German Jew who with Gordon Craig laid the foundations of the new stagecraft triumphed last week at a festival which was recently an innovation (TIME, Aug. 24, 1925) but has become a tradition today...
These are the plays which, in the light of metropolitan criticism, seem most important. SERIOUS THE GREAT GOD BROWN-Eugene O'Neill's powerful if sometimes confusing report of how one man bought another's brains. CRAIG'S WIPE-A portrait of that woman down the street whose house is so scrupulously clean that you are chilled to enter it. LULU BELLE-Lenore Ulric as a black rowdy who sails away to Paris with a French vicomte. LESS SERIOUS CRADLE SNATCHERS-Ribald doings on Long Island when three mad young men and three bad elderly ladies...
SERIOUS THE GREAT GOD BROWN - Eugene O'Neill's confusing problem about selling your brains to the devil. CRAIG'S WIFE - About a woman who dusted her house so carefully that it ceased to be a home. LULU BELLE - Lenore Ulric painting a brilliantly tawdry picture of a Negro dance hall girl. LESS SERIOUS CRADLE SNATCHERS - In which three lonely ladies, aged about 40, find diversion in three young men from college. WHAT EVERY WOMAN KNOWS - J. M. Barrie and Helen Hayes collaborating in a most satisfactory revival. AT MRS. BEAM'S - The terrible predicament...