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Word: crain (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Most everybody proclaims taciturn Glenn a local hero except his wife (Jeanne Crain), who mutters darkly of Glenn's troubled past (seems his father was shot by a fast gun) and the evils of gunslinging. Next day Glenn offers up his weapon on the church altar, explaining that he must skip town because "trouble collects around a fast gun." Too late. Enter bellicose Brod, hankering to drill Glenn. As the congregation sings Holy, Holy, Holy, Glenn dutifully straps on his holster for the showdown. As Miss Crain mumbles after the fireworks, "I guess that takes care of everything...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 30, 1956 | 7/30/1956 | See Source »

...Romantic idiom with a flawless performance of Brahms' Screnade in D, a work written very early in the composer's career. The Serenade has a very pleasant pastoral character, using four French horns, but suffers from extreme lengthiness. Backed by such first chair palyers as flutist Cynthia Crain and cellist Stephen McGhee, conductor Greene baum exacted a virtuoso performance from the orchestra. It is a pleasure to have a local group with the ambition and the prowess of the Bach Society...

Author: By Ludwig Senfi., | Title: The Bach Society Orhcestra | 11/1/1955 | See Source »

...sort of shequel to Gentlemen Prefer Blondes, the movie musical based on the book and play by Anita Loos. Unfortunately, Brunettes offers no more than the top half of the composite girl of so many adolescent dreams. Jane Russell is present in all her mezzanine majesty, but Jeanne Crain cannot offer the customers any such full line of attractions as Marilyn Monroe...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 17, 1955 | 10/17/1955 | See Source »

...program opened with Bach's Brandenburg Concerto No. 5, in which Cynthia Crain, Annette Colish and Kenneth McIntosh all played with assurance the solo parts for flute, violin and keyboard, respectively (a piano was used for the original harpsichord). Though technically a concerto grosso, this work is in a sense the first real solo concerto for keyboard, owing to the general prominence and the extended cadenza allotted to it. McIntosh's runs were as even as pearls, and he exerted admirable dynamic restraint throughout (his versatility even extended to playing the horn in the other works). The initial orchestral tempo...

Author: By Caldwell Titcomb, | Title: Bach Society Orchestra | 2/15/1955 | See Source »

Three-and-a-half hours of Jean Crain and Janet Leigh in one double-feature is as good an excuse as any to forget that Thursday exam for one evening...

Author: By Edward J. Coughlin, | Title: Belles On Their Toes | 6/3/1952 | See Source »

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