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Supporting the new big two in one of the "best crop of sophomores to come along in some time." Bill Crain has been the best of the sophomore harriers in preseason training and could conceivably challenge Meehan and Hamlin for number one before long...

Author: By Robert A. Ferguson, | Title: Cross Country Season Looms as Big Question | 10/2/1962 | See Source »

...Behind Crain are Roy Cobb, probably the most improved sophomore on the team, and Jack D'Arch, who also figures to be included in McCurdy's top five...

Author: By Robert A. Ferguson, | Title: Cross Country Season Looms as Big Question | 10/2/1962 | See Source »

...stylish acting and singing of Lucille Smith as Rosalinda and Jon Crain as Eisenstein do much to overcome the difficulties imposed by the casual mood of the translation. Miss Smith's Rosalinda displays not only a fine sense of timing and a fine aristocratic sense of propriety and impropriety, but also the unusual type voice required. Rosalinda must have a dark and strong lower range, complemented by a brilliant top and a sure coloratura technique. Miss Smith displayed both, ending her Czardas with a brilliant high B. Mr. Crain has obviously had experience in his part--he uses his strong...

Author: By Richmond Crinkley, | Title: Die Fledermaus | 7/19/1962 | See Source »

...mess-hall mailbox. Major Dale Buis of Imperial Beach, Calif, had arrived in Bien Hoa only two days before and was showing his new friends pictures of his three young sons. Two of the officers drifted off to play tennis; the other six men decided to watch a Jeanne Crain movie, The Tattered Dress, on their home projector in the grey stucco mess hall. While they were absorbed in the first reel, six Communist terrorists (who obviously had cased the place well) crept out of the darkness and surrounded the mess hall. Two positioned a French MAT submachine...

Author: /time Magazine | Title: SOUTH VIET NAM: Death at Intermission Time | 7/20/1959 | See Source »

...last week Susskind rushed in and out of rehearsals, spending almost as much time on the phone as he did watching the actors, yet seeing enough to scribble endless notes of advice; e.g., "Keep Myrna alive." He supervised the cutting of Jeanne Crain's lines ("She's no Duse"), and hesitated not a moment to order the taping of an entire scene from The Browning Version when one actor showed a tendency to blow his lines. (This last maneuver, by a man who has always championed live TV and frowned on tape and other mechanical aids...

Author: /time Magazine | Title: Show Business: Producer's Progress | 5/4/1959 | See Source »

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