Word: cranach
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Dates: during 1930-1939
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...sensuous space, serenity and golden sublimation, visitors could look on Titian's Lady at the Mirror. Across the room Veronese's Venus at her Toilet turned her opulent, cool and massive back. A pig-eyed, swollen-bellied little courtesan appeared in Lucas Cranach's delicately painted Nymph Reposing. From the 17th Century came a dusky Landscape with Nymphs and Satyrs by France's great Nicolas Poussin. How nude painting became stage prettiness and erotic folderol in 18th-and early 19th-Century France was almost too amply demonstrated in pictures by Watteau, Boucher, Baudouin, Girodet and Prud...
...expert Flemish and Dutch draftsmen of the 16th and 17th Centuries: Nicolaas Berchem, Phillips Wouwerman, Willem van Bemmel, Jakob van Ruysdael, Rembrandt, Rubens. Among the paintings which had been cleaned off and hung decently were a Madonna by Andrea del Sarto, portraits by the Elder and Younger Lucas Cranach, a panel by Pieter ("Hell") Breughel, works of Poussin, Van Dyck, Guido Reni, Durer, Tintoretto...
...masters than it would be by the best work of a pupil, but this collection is undoubtedly among the finest of many fine ones in the United States. Then there is the Germanic museum, with its magnificent reproduction of the Golden Gate of Freiburg Cathedral, its Cranach's and Holbeins, the Peabody museum of American archaeology and ethnology containing fine work of the early American civilizations and many other specialized museums and exhibitions...
...Holbeins, a Dűrer, three Altdorfers and two portraits by famed Bartholomaeus Bruyn. In the 81 paintings and 150 drawings left, there was still enough to make the show one of the most important of the 1936 season. Possibly the high spot of the whole exhibit is Lucas Cranach's famed Venus und Amor, the property of the Nűrnberg National Museum. On this panel medieval Artist Cranach shows a slim Venus, draped in a diaphanous veil wagging a warning finger at a pug-nosed Cupid who has pulled a honeycomb from a tree, and suffered severe...
...post on the fourth floor was one of the most amazing museum robberies of modern times discovered. Most valuable of the ten stolen paintings were an "Annunciation" by Fra Angelico, a "Christ's Ascension" by Peter Paul Rubens. Most embarrassing loss was a "Judith" by Lucas Cranach, lent to the Museum by Sculptor Carl Milles. The other seven were a Rogier van der Weyden, a Sir Thomas Lawrence, a Romney. Van Dyck, Jean Fouquet. Francois Clouet and Bernardino Luini. Eight were from the Friedsam collection. The Van Dyck was 2 ft. by 1 1/2 ft. The rest were...