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...Shanghai. "It's a good idea to cut your teeth where the product won't be around to haunt you later," says Bacon. Back in the U.S. after a year, he wrote to the late great architect and city planner, Eliel Saarinen, asking for a fellowship at Saarinen's Cranbrook Academy of Art in Bloomfield Hills, Mich...

Author: /time Magazine | Title: The City: Under the Knife, or All For Their Own Good | 11/6/1964 | See Source »

...Eliel Saarinen was my great master and teacher," says Bacon. "He emphasized design as the relationship of form and space; so the real design problem is the city. Saarinen taught us that harmony of form and mass doesn't stop at property lines but continues." The Bacon generation at Cranbrook included such notables of arts and architecture as Designer Charles Eames, Sculptor Harry Bertoia, Eliel's late son Eero, and Designer Florence Knoll...

Author: /time Magazine | Title: The City: Under the Knife, or All For Their Own Good | 11/6/1964 | See Source »

...Where his father got his first big U.S. job: designing the Cranbrook Institute campus...

Author: /time Magazine | Title: Art: Sensitivity & Crust | 9/8/1961 | See Source »

Bertoia came to the U.S. with his father when he was 15. In 1937 he enrolled at Cranbrook Academy of Art in Bloomfield Hills. Mich. He taught for a while, worked with Charles Eames designing chairs, in time was turning out chairs of his own as well as large metal screens of innumerable golden rectangles for big public buildings. But primarily, Bertoia is a sculptor whose goal is to find ever freer ways of using metal...

Author: /time Magazine | Title: Art: Song-&-Dance Man | 3/31/1961 | See Source »

Lateef at Cranbrook (Yusef Lateef, tenor sax; Frank Morelli, baritone sax; Terry Pollard, piano; William Austin, bass; Frank Gant, drums; Argo). A quintet given to spicing the group sound with finger cymbals, a one-stringed rebab, and a scraped ram's horn turns its talents to exploring Leader-Composer Lateef's oriental-flavored jazz fancies. Morning and Let Every Soul Say Amen may be too exotic for some tastes, but the easy-swinging sax flights of Gillespie's Woody'n You ought to set any pulse to bouncing...

Author: /time Magazine | Title: Music: Jazz Records | 6/29/1959 | See Source »

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