Word: crapping
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...their prestige, or by being unprepared. He can also be a little less than sophisticated when he feels the spirit. Radical Jerry Rubin moved him to say "Politics bores the ass off me." He once cut off an LSD sales pitch from Timothy Leary with "You're full of crap...
...learn to be a conman in the suburbs. And while every parent probably envisions their children of the fifties as little Beaver Cleavers. the much more calculating behavior of, say, an Eddie Haskell is probably a lot closer to the mark. To hell with all that Woodstock crap. As Rosen quotes Wilde, "Being natural is simply a pose, and the most irritating pose I know...
...ROOM in Washington, D.C., where I am sitting now (enjoying air-conditioning and unlimited quantities of Breakstone cottage cheese), is full of junk. Books of baseball statistics, ten-year-old issues of Mad, and half-finished cigarette packs. Crap from phases of my life so distant that I might as well be in a stranger's house. Was this how I lived? (I look around and see at least a dozen pencil sharpeners.) God, who knows anymore...
...facets of black people. That Bill Kelley has finally come around. . . . The publicity made it appear to be so impossible that young guys like Kelley and Reed could ever get together; because Kelley went to Feilston School and Harvard or wherever the hell he went. But that's crap. Kelley is in the same bag with Ishmael Reed, with me, with Baldwin, with Ellison, because we're black. Our problems deal with our approaches to our experiences, the way we can command or demand advances so we can support our families, and these are way out of line with...
PEOPLE in period costumes drift onto the stage. They start playing games, tag and such. A few laughs. Young, happy smiles. Meaningful interaction; instant commune. What, this pseudo-Grotowskian exercise crap, this is HARPO? But wait, that clown drooling into the bucket, the increasingly precise blocking pattern, the scene titles, then the impeccable cockney accents; this is pure Larry Senclick, the master of the rococo basics, Harvard's exponent of technical theatricality, a man who has an amazing talent for layering upon any script a tremendous variety of gimmicks, jokes, and cheap bits, and proceeding to hit them so hard...