Word: crapping
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...Every time we come down here, they get us onthis crap-hard field, pack it in, and then boot itout and hope to run on it," Stauffer said. "It's achallenge for us because we're used to havingplayers mark us up, and they just stand backthere--almost in a zone--and don't challenge ourdefenders at all. It just gets really crowded inthere, and it's really frustrating, but we're gladto...
...Wall Street, investors have a word for such a collection: overhead. Even before the market tanked, analysts were marking down casino stocks on the fundamentals--too much capacity--and they are worried that this latest building boom will crap out. The Vegas Valley, for instance, is heading into a glut of 127,000 hotel rooms--up a scary 20% from the current level. That's one reason gaming stocks such as Mirage's have lost one-third to one-half of their value in the past year. The weakening global economy is also taking its toll. The high rollers from...
...second half of the album, which strays from typical rock conventions and moves toward a more expressive tone. The latter half also reveals the best of Local H: the guitars, bass and drive that makes you turn up the volume to ear-bleeding level and pound the crap out of your roommates. Save up any frustration before listening and let it loose singing along with both the vocals and the guitar, but be sure to take the occasional soft section as a break, because the intensity with which Local H hits leaves pretenders behind...
...industry dropped me for 20 years," says Mitchell, now 55. "They wouldn't let me in. No matter what I did, they wouldn't let me on the radio [or] on MTV." She says most of what she hears on the radio is "crap." "It's all about Wall Street now. And the record is just a poker chip. And these, you know, artists are going willingly into the slaughter." There are, however, a few things she likes. "Most of my favorite artists are black," says Mitchell, who admires James Brown, Etta James and Duke Ellington. "All modern music...
...opener that experimented with electric instruments and rock and funk rhythms--a strange, primal, remarkable album. Soon, however, a whole generation of musicians was squandering its talents on increasingly vapid (though profitable) jazz-rock hybrids that came to be called fusion. Known today as smooth jazz, or as "that crap they play when Regis and Kathie Lee go to commercial," fusion continues to thrive; it even has its own Billboard chart. But in more sober musical circles, it is considered a kind of moral stain...