Word: crashã
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...Admittedly, he and Eli have similar taste in movies—six of the ten titles are the same. But unlike Eli, he enjoyed “Love Actually” and “The Shawshank Redemption,” and felt that “Crash?? was edifying, but also thought-provoking. That’s how John likes his movies...
...Lambs” received a lot of publicity before its release, marketing it as a timely film about the wars in Iraq and Afghanistan. Audiences can’t be blamed for expecting a solid commentary on the current American condition—perhaps the “Crash?? or “Babel” of 2007. The film even attempts to work with a multiple-storyline structure, which both of those Oscar-winners used well. Sorry to break the news, Mr. Redford, but your film won’t be following in the footsteps of either...
Peña, who held minor roles in “Crash?? and “Babel,” agreed. “There are a bunch of bright minds here. I dropped out of high school, so I don’t even know what your world is like, but it looks pretty awesome...I don’t have the Harvard mind but I have the aesthetic mind,” explaining that he hopes his portrayal will inspire others to activism...
...writers of “Casino Royale” include “Crash?? writer/director Paul Haggis, who adds his effective (if overblown) dialogue to the film, but doesn’t try to convince you that the obscenely long and bloody chase sequence on a Miami runway has anything to do with plot or character development. This is disappointing—it holds “Casino Royale” back from being one of the greatest Bond films ever—but not horribly so. In other films where the interstitial space between blood splatters...
...wasn’t the idea of constant learning that administrators got wrong—it was the time and manner in which this learning would occur. The real thinking takes place during the 4 a.m. debate about whether Kantian ethics can prove “Crash?? really was an Oscar-worthy film, or the middle–of-the-afternoon discussion on how Foucault proves that “Pimp My Ride” can only be understood as a social phenomenon embedded in relationships of dominance and control...