Word: crash
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Dates: during 1980-1989
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...cocaine merely produced a false sense of personal supremacy, and that was that, it would be less menacing. But the "crash" from coke, the letdown when the drug wears off and heady illusions disappear, is grim. To ward off melancholy and the jitters after the supply runs out, many users get drunk or take sedatives like Quaaludes. Or worse. "The drug that works best to cut the crash," says...
...They planted 236 grams of coke in an unclaimed suitcase turned over to Tarver at the Houston airport. Police followed him, stopped his car and found that he had siphoned off an ounce from the stash. He was fired and charged with possession of cocaine. Tarver took the crash calmly: "I just wonder what took them so long to figure it out." At his trial, he was convicted, placed on ten years' probation and fined $10,000. He is appealing his conviction...
...Padres Forest provide an ideal test of the missile's ability to hug terrain, as well as an imaginary battleground over which it can execute sophisticated flying maneuvers. But occasionally Tomahawks get more public attention than desired. Horseback riders once watched in disbelief as a missile crashed just 200 yds. away. Another missile plunged into a ravine on a ranch south of Lompoc. Said the owner: "If I were a Russian, I wouldn't be too worried." The Pentagon is certain it can keep everything under control. It points out that F-4 Phantoms always...
...German mother and a Polish father in Günzburg, West Germany, Petra Lehmann moved to Georgia in 1960 after her divorced mother married a U.S. colonel, John Kelly. Six years later Petra went to Washington's American University, where she majored in political science and took a crash course in grass-roots activism. On campus, Kelly distinguished herself as an enterprising and indefatigable charmer: after being bombarded by her letters, Robert Kennedy advised her about scholarships, Hubert Humphrey had a lengthy correspondence with her, and Pope Paul VI reserved five seats for her at a Vatican audience. More...
MORE THAN INJECTING a new vigor into our confusing and underrated era. Williamson seeks to infuse the language we speak with new beauty. He will crash through a line with many poly syllabics--exciting combinations of consonants and internal rhyming--and then suddenly hit a resounding, one-syllabic word with a long vowel. Such techniques allow him to reemphasize the language of poetry, as distinct from prose, without seeming artificial. The elegance of Williamson's tone lends him the dramatic, questioning role of the nineteenth-century German poet Rainer Maria Rilke in "Leaving for Islands...