Word: crashes
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Dates: during 2000-2009
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...were treated described their injuries as "brutal," with each of the victims sustaining at least three bullet wounds. Of course, plenty of people fail tests and end romances and even suffer unspeakable abuse as children. And while there are a lot of narcissists in the world, many of whom crash and burn in their personal and professional lives, only an infinitesimal fraction of even the most unstable people lash out in remotely as violent a way as mass killers do. So what should we look for in people for whom such a homicidal rage is a real risk...
...Infante's other passion was flying; he loved piloting his own plane. When he survived a crash in 1949, he got a metal plate in his head and a perverse sense of invincibility. "You see that I was right?" he boasted to friends. "Of course I felt something. But death can do nothing against me." He had two more crashes, and that was one too many. He died, at 39, on April 15, 1957. Hearing the news, Mexicans by the hundreds of thousands clogged the streets and reeled in grief. A newspaper headline blared: "His Death Was Like a Bomb...
...becomes a fugitive for having protected Silvia Pinal's honor, only to find that she disdains the half-breed beauty who has saved his life. (She is played by Blanca Estela Pavón, Infante's love interest in six of his late '40s, who died in a plane crash in 1949, at 23). "You dirty Indian," Silvia hisses. "What do you know about love?" The Mexican audience knew to hiss back...
...Hollywood. But those and all other dreams were cut short when he died. Or did he? In the myth of the hero, death is often only a pause before resurrection. "Some say Pedro Infante still lives," Chavéz writes. "Some say he was killed in the plane crash. Some say the left side of his face was mutilated and that he now lives in hiding (age 87) in the Sierra Nevadas. Some say he was having an affair with the President of Mexico's mistress and the Mexican mafia was after him and he had to go into hiding...
...comes up to her and quotes lines from Robert Frost's "Stopping By Woods On A Snowy Evening." (The QT version of that poem might end: "The road is kewl for this white trash / But I've a Challenger to smash /And miles to go before I crash...") But there's not much poetry, I mean of the pulp variety, in Death Proof. It doesn't show me much innovation, or much fidelity to the old grindhouse tropes. For example, in the seminal road movies of the late '60s and early '70s - Bonnie and Clyde, Easy Rider, Vanishing Point, Dirty...