Word: cravener
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...could denounce but not disown. "I can no more disown him than I can disown the black community," he said. He castigated Wright, but did not cast him off. Obama refused to add his voice to the chorus vilifying Wright. Acknowledging how disingenuous that would have been, and how craven, Obama instead pulled Wright back and re-owned him, saying, "As imperfect as he may be, he has been like family...
...Those who claim to be in public life to promote and defend certain values can least afford to look craven. We may expect that from the every-man-for-himself plutocrats; but the virtuecrats are supposed to believe in something. So when Robertson et al ignored the conspicuous apostasies of Rudy and, in his earlier more liberal life, Romney, in order to jump on the bandwagon, they exposed a much less lofty agenda: they just liked their seat at the table, they didn't want to lose, and they didn't seem to realize that by signing on with...
...currently engaged in an undeclared civil war between those who value individual liberty and those who think it is too dangerous. The latter group espouses a craven dependency on a government that is more than willing to micromanage our lives. The fact that you celebrate two individuals who are anathema to American values shows that Time is better suited to George Orwell's Oceania than to the U.S. This country did not achieve greatness with a mind-set of "safety first" but rather "live free or die." Mike Glaser, CINCINNATI, OHIO...
...Bergman's reputation had reached a level so majestic that Woody Allen, fresh from his Oscar-winning Annie Hall, renounced comedy to make Interiors, his first of several dramas in the Bergman style and somber mood. Also in the '70s, indie director Wes Craven remade The Virgin Spring as a low-budget, highly regarded horror film, The Last House on the Left. Stephen Sondheim brought the stately domestic deceptions of Smiles of a Summer Night to Broadway with A Little Night Music (and its worldly-wise ballad, Send in the Clowns...
...particularly liked the Coen Brothers piece about an American tourist (Steve Buscemi), waiting for a Metro train, who does not heed his guidebook's advice (don't make eye contact with strangers) with comic-violent results, Wes Craven's work about a pair of bickering British tourists visiting Oscar Wilde's grave site in the Père-Lachaise cemetery with romantically restorative results, and Tom Twyker's take on a faltering love affair between a pair of young people, one of whom is blind, yet is also a brave and wily navigator of the sighted world. There's even...