Word: crawford
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Dates: during 1980-1989
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PlayersPts. 1. Jakubick, Akron 30.1 2. Jackson, Alabama St. 29.0 3. Durrant, BYU 28.3 4. Hughes, Loyola-III 27.7 5. Tisdale, Oklahoma 26.6 6. Dumars, McNeese 26.3 7. Crawford, USInternational 24.6 8. Johnson, Grambling 24.5 8. Cag. San Diego St. 24.5 10. Wood, Fullerton 24.4 11. Burtt, Iona 24.0 12. Jackson, Centenary 23.7 13. Graves, Yale 23.4 14. Gervin, Texas, SA 23.2 15. Mullin, St. John's 22.9 16. McClain, UNH 22.8 17. Stevens, Iowa, St. 22.6 18. Swell, Lamar 22.3 19. Yates, George Mason 22.0 19. McRoberts, Butler 22.0 19. Carrabino, Harvard...
PlayersPts. 1. Jakubick, Akron 30.1 2. Jackson, Alabama St. 29.0 3. Durrant, BYU 28.3 4. Hughes, Loyola Ill 27.7 5. Tisdale, Oklahoma 26.6 6. Dumars, McNeese 26.3 7. Crawford, USInternational 24.6 8. Johnson, Grambling 24.5 8. Cag, San Diego St 24.5 10. Wood, Fullerton 24.4 11. Burtt, Iona 24.0 12. Jackson, Centenary 23.7 13. Graves, Yale 23.4 14. Gervin, Texas, SA 23.2 15. Mullin, St John's 22.9 16. McClain, UNH 22.8 17. Stevens, Iowa St 22.6 18. Swell, Lamar 22.3 19. Yates, George Mason 22.0 19. McRoberts, Butler 22.0 19. Carrabina, Harvard...
DIED. Robert Aldrich, 65, film director whose works of macabre-to-macho violence included the Bette Davis-Joan Crawford shocker What Ever Happened to Baby Jane? (1962), the Burt Reynolds gridiron prison melodrama The Longest Yard (1974), and The Dirty Dozen (1967), which at the time sparked complaints about its relentless brutality; of kidney failure; in Los Angeles. Scion of a prominent New England family and a Rockefeller cousin, Aldrich rejected a banking career to start as a $25-a-week production clerk at RKO studios...
...Cinemactress Joan Crawford, 42, who started out as a Chicago nightclub dancer even before the days of the Charleston...
...Black group gathered momentum, it formed its own cultural groups, including Kuumba. Black C.A.S.T., and Diaspora, a Black literary magazine. Despite their cultural orientation, these groups were initially political. The Kuumba sisters, for example, frequently sang in prisons and at political rallies, says Diane A. Crawford '83, the group's former president. Other groups, although less overtly political, were at least implicitly so in their efforts to define a unique cultural identify or "Black Nationalism." Dean of Students Archie C. Epps III believes these cultural groups were highly influenced by the emergence of radical basis within Black society, their growth...