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...singers -- Leona Mitchell as the eponymous Ethiopian slave girl, Placido Domingo as her hapless Egyptian lover Radames -- but for towering sets and slick stage machinery, then the era of content-free opera is at hand. Under the artistic direction of James Levine and departing general manager Bruce Crawford, the Met has ( suffered from a hardening of its arteries, offering up one lumbering spectacle after another without much apparent thought as to whether they make artistic sense...

Author: /time Magazine | Title: Music: Trouble Along the Nile | 12/19/1988 | See Source »

...millenia before Joan Crawford discovered wire hangers, Euripides wrote the definitive play about a woman done wrong--who then takes it out on her kids. Director Laith Zawawi is giving Medea the "black box" treatment...

Author: NO WRITER ATTRIBUTED | Title: Stage Door | 12/2/1988 | See Source »

...know why. I was there one night, left early, and never went back." There was a brief dalliance with Marlene Dietrich, but she "seemed to love you much more if you were not well. When you became strong and healthy, she loved you less." Then there was Joan Crawford. "At dinner, she was glamorous and very attentive . . . We went back to her house. We never got past the foyer . . . Afterward, we got dressed. She took me upstairs and proudly showed me the two children -- how they were strapped so tightly into their beds, how she diapered them so efficiently...

Author: /time Magazine | Title: Books: Buried Child THE RAGMAN'S SON | 8/22/1988 | See Source »

Netwoman Jacki Farell, playing at number-three singles, dropped a 6-2, 6-2 decision to Katrina Crawford, while freshman Amy deLone fell in straight sets...

Author: By Michael J. Lartigue, | Title: Trinity Eliminates Netwomen ,5-1, in NCAA Tournament | 5/13/1988 | See Source »

...three principal roles are again played by the actors who originated them in London, and therein lies the show's chief weakness. As the Phantom -- musically, a tenor good guy rather than a baritone baddie -- Michael Crawford gives the most compelling performance currently to be found on any Broadway stage. The character is an extortionist, kidnaper, incendiary and murderer. Yet as Lloyd Webber conceived him and Crawford plays him, he is also a romantic capable of true selflessness and is all too easily forgiven. As his rival, Steve Barton is blandly tuneful and smugly self-assured, which...

Author: /time Magazine | Title: Theater: Music Of The Night THE PHANTOM OF THE OPERA | 2/8/1988 | See Source »

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