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Oralists for the J. Smith Club are Joseph R. Cortese and Philip C. Potter. The research team which forms the Council on the Brief consists of Robert P. Cook, Phil N. Crawford, Theodore J. Horvath, William J. Kelly, Richard E. Mansfield, and Arthur V. Savage...

Author: NO WRITER ATTRIBUTED | Title: Douglas Will Officiate At Ames Competition Finals at Law School | 2/13/1952 | See Source »

This Woman Is Dangerous (Warner) shows how Joan Crawford loses her eyesight and then finds true love in the antiseptic arms of the surgeon who saves her vision. The stumbling block to this romance is that Joan, as usual, has a lurid past: she is the brain, front woman and nursemaid to a pair of hysterical gunmen (David Brian and Philip Carey). What with planning robberies, quieting their tantrums and offering such motherly warnings as, "Now don't hurt anyone," as she passes out the guns, it is remarkable that she doesn't lose her mind as well...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 11, 1952 | 2/11/1952 | See Source »

Scandal Sheet (Columbia] takes a faded leaf out of such newspaper melodramas as Five Star Final (1931) and Gentlemen of the Press (1929). Reporter John Derek never takes off his hat, scoops not only the opposition but also the cops; ruthless Editor Broderick Crawford prints anything to get a rise out of his circulation. Together they turn a staid Manhattan daily (U.S. election headline: MR. DEWEY DEFEATED) into a rag that thrives on blood, cheesecake and tears...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 4, 1952 | 2/4/1952 | See Source »

Then Editor Crawford bumps off his wife.* Despite all he can do to cover his trail without arousing suspicion, it is Newshawk Derek's brilliant hunches and painstaking detective work that finally expose Crawford on his own gaudy front page-and push newsstand sales higher than ever...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 4, 1952 | 2/4/1952 | See Source »

...movie's Texans, even the villains, keep their word of honor, respect womanhood and fight at the drop of a line of dialogue. When Gable and Crawford clash at the barricades before the Texas senate, mass slaughter breaks out. Then, at a word from the revered Houston (Moroni Olsen), the two leaders settle the issue in a fist fight, the ground suddenly clears of casualties, and both sides go off to fight the Mexicans...

Author: /time Magazine | Title: Cinema: Three of a Kind | 1/21/1952 | See Source »

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